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  • February was a goldmine for Nigerian music, with a range of talented artists dropping bangers that dominated our playlists. From soulful love songs to high-energy street anthems, the month had something for every mood.

    Here are the 10 best Nigerian songs of February 2025.

    10. “WHY LOVE” – Asake

    Amid rumours of his YBNL exit and a fallout with his team, Asake keeps his focus on the music, embracing love on “WHY LOVE.” The track is both a tribute to his lover and a self-assured anthem, as he hails himself as an angel and suggests that any woman with him is lucky. While his self-confidence—rooted in a military mindset of self-sufficiency—might come off as self-centred, he’s at his calmest and best when she’s around.

    9. “Ìfémi” – Lodù

    In this track, UK-based Nigerian-born singer Lodù is drunk in love. Unlike her previous releases and features, she sings entirely in Yorùbá, calling out to a distant lover to return to her—perhaps one still stuck in Tinubu’s Nigeria, yet to japa and reunite with her.

    Her use of rich figurative language, combined with a blend of traditional and alternative production, places “Ìfémi” in the lineage of new-school artists building on the foundation laid by pioneers like Bisola Oke with “Eleyele”.

    8. “All The Love” – Ayra Starr

    Ayra Starr makes a strong return with “All The Love,” her first single since her record-breaking sophomore album, The Year I Turned 21 (2024). Centred on self-acceptance and personal growth, the song sees her reflecting on love in a way that feels both personal and universal—a letter to herself and the world.

    Now a year older, her music evolves with her, blending lamba with sharp songwriting in a way that reaffirms her artistry.

    7. “VIBRATION” – Mo’Gunz

    Mo’Gunz moves between rap and melody, seamlessly blending both to set moods and create immersive soundscapes. On “VIBRATION,” off his REPUBLIK RIDDIM two-pack, he seeks relief—not through traditional therapy, but through Mary Jane to ease his stress and a woman’s presence to bring warmth.

    Beneath the surface, the song reflects his search for self, purpose, and direction. Yet, even in moments of melancholy, he keeps the party going—vibrating through it all.

    6. “Update” – Burna Boy

    For the first time in a long while, Burna Boy is taking a break from relentless touring and choosing to indulge in a well-earned vacation. “Update,” much like “Bundle By Bundle,” is a bold declaration of his “city boy” lifestyle—splurging on luxury sports cars and rewarding his loyalists with Cybertruck Tesla.

    Though he sounds tired on this record, not even Soul II Soul’s “Back to Life” sample could slow him down—he’s living his best life, and this is the update.

    ALSO READ: 12 of the Best Afrobeats Songs of the 2020s That Sample Nigerian Classics

    5. “Obimo” – Adekunle Gold

    As someone whose long-term relationship has blossomed into marriage, Adekunle Gold understands the power of assurance and reassurance. On “Obimo” (Igbo for “my love”), he sets the tone with the opening line, “Loving you is primary,” encapsulating the song’s essence—complete devotion. He sings about wanting what his lover wants, moving in perfect sync with them.

    If you can’t imagine eating or doing anything without seeing the love of your life first, AG Baby has the perfect soundtrack for you.

    4. “Movie Star” – Ajebo Hustlers

    This is a new offering from the Port-Harcourt musical duo Ajebo Hustlers (Knowledge and Piego). “Movie Star,” off their Onorato EP, is a heartfelt reflection on relationship struggles. Whether drawn from personal experiences or pure storytelling, the song carries an emotional weight that resonates deeply.

    The chorus chorus promises unwavering presence through every mood and phase, while Knowledge expands on the theme with his signature rap style. Their seamless fusion of Afrobeats, Highlife, and Hip-Hop remains impressive, reinforcing their stance as hardworking, non-compromising artists. As they declared in a recent Instagram post, this era is about demanding respect.

    If you’ve been following their journey, “Movie Star”— and the entire Onorato project — stands as a testament to staying true to one’s sound.

    3. “SHAOLIN” – Seyi Vibez

    Fans have been wondering why Seyi Vibez has been so quiet. Some speculated that his recent split from Dvpper Music put a temporary hold on his releases.

    Whether he was watching the tweets, itching to drop new music, or simply ready to break his silence, he’s back with Children of Africa, a four-track EP. The standout track? “SHAOLIN.”

    Seyi leans into the dominant Mara street-pop sound flexing about women, smoking Wizkid’s legendary loud, and moving with zero worries. He also subtly addresses concerns about his career post-label breakup—“Everywhere good, everywhere che, che, che, che…” Translation? He’s doing just fine.

    If your DJ doesn’t mix this jam before or after “OZEBA,” you might be at the wrong rave. Street-pop supremacy.

    2. “Someone Like You” – Lojay

    Unrequited love takes centre stage on Lojay’s “Someone Like You.” He sifts through past memories and conversations, retracing where things went wrong. It’s not the heartbreak of something ending unexpectedly—it’s the pain of knowing the person he wants will never come back.

    The song feels romantic, but at its core, it’s about love lost. Lojay’s soft, moody vocals and lyricism capture that deep sadness. Unlike his usual playful, smug takes on love, there’s no spinning the block here. This is the first single from his upcoming album, hinting at a shift from the “gangsta romantic” hard-guy lover to something more vulnerable.

    1. “Baby (Is it a Crime)” – Rema

    After HEIS, many expected Rema to continue riding the heavy EDM wave, but “Baby (Is It A Crime)” takes a different route. If you paid attention to “Now You Know,” the closing track on HEIS, you’d have caught the hint—he’s leaning into a more chilled, mid-tempo solitude.

    Sampling Sade Adu’s “Is It A Crime” (1985), Rema moves at a leisurely pace, throwing advances at a love interest who isn’t as eager. But he doesn’t beg—he states his case and, if she wastes his time, he moves on (“I no dey for too much whining”).

    This song is an anthem for the average Nigerian toaster—confident, expressive, but not desperate. Rema’s songwriting remains relatable, and as HEIS continues to set clubs on fire, “Baby” slides effortlessly into softer, intimate spaces.

    Listen here:

  • Sampling has always been part of how music is created. Musicians have regularly leaned on the songs that came before them to influence their music, and this has been the case in Afrobeats.

    There’s something special about hearing a familiar riff or melody reworked into a brand-new banger. It’s like a big hug from the past, re-energised with new warmth. So, in celebration of this beautiful marriage of the old and the new, we’re counting down 12 of the best Afrobeats songs of the 2020s that sample Nigerian classics.

    From Rema to Sade Adu, Johnny Drille to Original Stereoman, we’re diving into the tracks that keep the legacy of Nigerian music alive.

    12. “You (Rum & Schnapp)” – Boy Spyce (2024)

    Sample: “Fall” – Davido (2019)

    In “You (Rum & Schnapp),” Boy Spyce embraces his romantic side, refusing to return to the streets as he pleads with his lover to stay. He glides effortlessly over the dancehall beat, delivering smooth melodies with ease.

    At first, the sampling of Davido’s 2019 hit “Fall” isn’t immediately noticeable to the untrained ear. But on closer listening, the influence becomes clear—the song borrows heavily from the song’s signature percussion.

    However, while Davido plays the confident Casanova, using his wealth to impress a love interest, Boy Spyce takes a different approach. He wears his heart on his sleeve, longing for a love as deep and intoxicating as rum and Schnapp.

    11. “The Return of Eddie Quansa” – PayBac iBoro (2024)

    Sample: “Eddie Quansa” – Peacock Guitar Band (1973)

    PayBac iBoro breathes new life into the Highlife classic “Eddie Quansa” (1973), sampling the Peacock Guitar Band’s beats and vocals for his introspective rap track, “The Return of Eddie Quansa.” This moody production revisits the legend of Eddie Quansa, weaving it into a deeply personal narrative.

    Eddie Quansa, a wealthy Ghana-based Nigerian, was once betrayed by his older brothers and vowed to seek revenge through success. If PayBac were Eddie Quansa, his verses would capture the moment just after betrayal—wounded but determined.

    Though he sounds weary, his spirit remains unbroken. He refuses to bow to gatekeepers, pushing forward with the conviction of someone who has paid his dues and is ready for his breakthrough.

    10. “Rodo” – Adekunle Gold (2024)

    Sample: “Opon Apala Ti Sun” – Musiliu Ishola (2000)

    The jiggy drums of Musiliu Ishola’s “Opon Apala Ti Sun” are sampled on Adekunle Gold’s groovy track, “Rodo” (meaning “pepper”).  AG praises his babe, and like every “finished Nigerian man,” he implores her to pepper him more. But this isn’t a call for pain—or soup. It’s a smooth, melodic plea for more seduction, making “pepper me” sound even hotter.

    “Rodo” is a song for the hot ladies, their admirers, and the sizzling parties they light up.

    09. “Pick Up” – Tiwa Savage (2024)

    Sample: “No Be Mistake” – 9ice (2009)

    Relationship frustration gets to her neck and eventually leads Tiwa Savage to the studio in this Afrobeats-Amapiano jam. In this song, “Pick Up,” she calls out to an unresponsive lover. Despite its theme of longing and emotional turmoil, “Pick Up” carries a jubilant feel—perhaps because it samples the chorus and beat of 9ice’s “No Be Mistake,” a celebratory track made for joyous occasions.

    Tiwa admits her lover’s silence is taking a toll on her mental health. She feels like her head is about to explode, yet she still holds on. If Africa’s Number One Bad Girl can put the party aside to worry about a man, then relationship palava truly spares no one.

    08. “Sare” – Ayra Starr (2021)

    Sample: “Orere Elejigbo” – Lijadu Sisters (1979)

    Three years before Ayra Starr explores romance in “Lagos Love Story” (2024), she holds on tightly to love in “Sare,” a standout track from her 2021 self-titled debut EP. With a beautiful and unapologetic approach, she sings about the butterflies in her stomach, her lover’s absence, and her longing to have him back by her side.

    In the hook, Ayra seamlessly blends with the chorus of the Lijadu Sisters’ “Orere Elejigbo” (1979). While the original is a politically charged protest song and Ayra’s “Sare” has no direct connection to its themes, both tracks share an undeniable grace, strength, and femininity—qualities also embodied by the mythological alpha woman, Orere Elejigbo.

    Paying homage to legends on her debut project is a bold statement of Ayra’s creativity and intentionality. On “Sare,” she fuses R&B soulfulness with Afrobeats lamba, creating a delightful and memorable record.

    07. “Obapluto” – Shallipopi (ft. Pa Monday Edo) (2024)

    Sample: “Ogbaisi” – Pa Monday Edo (1996)

    In “Obapluto,” Shallipopi declares himself Oba—not the ruler of Benin City or the music industry, but of Pluto, his record label. This declaration comes 28 years after Pa Monday Edo and Edo Benin Band’s “Ogbaisi” (1996), which is dedicated to a long-gone Edo ruler, Oba Ovonramwen Nogbaisi.

    Pluto is a dwarf planet and the name of a Greek mythological figure who controls the underworld. It also refers to a world filled with excess wealth—a world that Shallipopi calls himself ruler. 

    Shallipopi’s “Obapluto” samples the vocals and beat of “Ogbaisi,” both as a nod to the older artist and as a signal to his Edo roots.

    06. “Palava” – Johnny Drille (2024)

    Sample: “Sample Ekwe” – Original Stereoman (2005)

    Johnny Drille’s creativity comes alive in  “Palava” which samples Original Stereoman’s “Sample Ekwe” beat (2005). What was once a cocky dancehall anthem celebrating artistry is transformed into a Country-Afrobeats fusion about bad belle—the haters.

    “Ekwe” refers to a gong, which inspired “Sample Ekwe.” As Stereoman explained in an interview: “When you beat the gong, people must hear the sound. That is how the sample came into it. If you have a product, you sample it for people to know it first and foremost before they can patronise you. When I sample my Ekwe, people hear the sound.”

    Though Johnny Drille takes a different sonic and thematic approach, “Palava” retains the bullish energy and defiance of “Sample Ekwe,” proving that no matter the genre, some messages remain timeless.

    05. “Jazzy’s Song” – Ayra Starr (2024)

    Sample: “You Bad” – Wande Coal (ft. D’Banj) (2009)

    Ayra Starr takes us straight to the dance floor with “Jazzy’s Song” a tribute to her label boss, Don Jazzy, and his favourite track, “You Bad” (2009) by Wande Coal. She sets the tone for a night of intoxication and pure, unfiltered fun. From her verse to the hook and the sampled beat progression, every part of the song keeps the listener engaged.

    A standout track from her sophomore album, The Year I Turned 21, “Jazzy’s Song” also holds deeper significance. “You Bad” isn’t just Don Jazzy’s favourite song—he produced it, and Wande Coal, its original performer, was once signed to Jazzy’s legendary Mo’ Hits Records. A true full-circle moment.

    04. “Opelope Anointing” – OluwaMillar (ft. Evangelist Dr. Dunni Olarenwaju & Layo Isaac) (2025)

    Sample: “Opelope Anointing” – Evangelist Dr. Dunni Olanrewaju (2000)

    When it was released, the South-West Christian household buzzed with “Opelope Anointing” in 2000. The song remains relevant as a popular gospel and church classic and resonates with believers in a new decade. Its message and beats find a place in the 2024 Hip-Hop track of the same title by 24-year-old multilingual rapper OluwaMillar.

    “Opelope Anointing” loosely translates to “Thankfully for the anointing” or “If not for the anointing.” Evangelist Dunni Olanrewaju’s original song expresses gratitude for divine protection—God’s anointing that shields her from spiritual battles and detractors.

    OluwaMillar’s version follows a similar theme but through moody rap verses and personal storytelling. He reflects on his struggles and triumphs, ultimately recognizing that he’s been chosen by God. Layo Isaac closes out the song by softly modulating the chorus of the original, bringing a heartfelt, full-circle moment to this powerful rap joint.

    03. “Wetin Dey” – Odunsi (The Engine) (2023)

    Sample: “Wetin Dey” – Ruff Rugged N Raw (2005)

    Odunsi (The Engine) channels nostalgia on “Wetin Dey” sampling Ruff Rugged N Raw’s classic of the same name. Both versions share a similar tempo, beat patterns, and feel-good energy, with Odunsi even lifting parts of the original chorus.

    While Odunsi’s take is all about carefree fun,  Ruff Rugged N Raw’s “Wetin Dey” blends enjoyment with caution—calling out pretentious friends in the chorus while flexing lyrical dexterity in the verses.

    This is a solid homage from Odunsi—proper big-boy music.

    02. “Active” – Asake (ft. Travis Scott) (2024)

    Sample: “Raise Da Roof” – Jazzman Olofin (ft. Adewale Ayuba) (2004)

    Asake’s last album may not have met expectations, but it delivered some standout tracks—one of them being “Active”, a fast-life anthem featuring Travis Scott. Produced by Sarz and MIKE DEAN, the song rides on high energy, flipping Jazzman Olofin’s 2004 hit “Raise Da Roof” into a vibrant sample. The track loops Adewale Ayuba’s signature line, “Ma jo, fine girl,” in a way that transforms the original fuji groove into an Afrobeats banger.

    The sample shines even brighter with Travis Scott’s delivery. His first four opening lines subtly weave in the sample, making it feel like it’s completing his words. Each time he says “my,” the sample steps in—except it’s actually Ayuba’s “Ma” from the original lyric. It’s a slick, almost magical manipulation that adds to the song’s dynamic energy.

    Both tracks are made for the party, but Active cranks things up a notch—bigger, bolder, and more disruptive.

    01. “Baby (Is It A Crime)” – Rema (2025)

    Sample: “Is It A Crime” – Sade (1985)

    Forty years after Sade’s “Is It A Crime,” first explored unrequited love in a slow, breezy R&B ballad, the song finds new life through “Rema’s Baby (Is It A Crime).” Produced by P.Priime, the 2025 track flips the original’s melancholic yearning into a faster, bouncier groove—smooth, sultry, and undeniably modern. While Sade’s lyrics ache for a love that isn’t fully returned, Rema’s take feels more playful. He seeks love but delivers his words with the kind of detachment that suggests he may not need it by tomorrow.

    Some might call this the carefree Nigerian approach to romance. Or maybe it’s just a generational shift—where old-school lovers held on tight, and the new school keeps love at arm’s length, torn between desire and self-preservation. Either way, Baby (Is It A Crime) is a jam—one that makes you croon like a hopeless romantic, even if you have avoidant attachment issues.

    Clearly, listeners can’t get enough. It’s Rema’s first release of 2025, and it’s already sitting at number one on Apple Music Nigeria’s Top 100.

    Listen here:

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  • I do this for all lovers.

    Whether you’re boo’d up with the love of your life, on a baecation, navigating a long-distance relationship, or simply manifesting self-love, there’s a perfect love song waiting for you.

    As always, I’m here to serve! I’ve curated the perfect Nigerian love songs for every mood. Struggling to find the right words to express your love? Missing someone so much it feels impossible to breathe? Trying to get their attention but feeling a little shy? Or maybe you just want a song to hold onto a special memory? Whatever it is, this #BumpThis playlist has something for you.

    Here are the 10 best Afrobeats love song for every mood:

    In the Mood for Baecation

    “Love On Weekends” – Show Dem Camp (ft. Tomi Agape Ladipoe)

    Weekends are the perfect time for love—no work stress, just personal time for personal things. Whether it’s a cosy stay-in or a romantic getaway, this song perfectly captures that “just me and you” vibe. 

    With  Tomi Agape’s soothing chorus and rap verses from Ladipoe, Ghost and Tec, “Love On Weekends” highlights the beauty of presence, communication, physical touch, and pure enjoyment. If you haven’t heard it before, consider it the perfect addition to your weekend playlist—especially if you’re in love.

    “Money and Laughter” – BOJ (ft. Amaarae and Zamir)

    In this song, the feeling of being high on love is undeniable. BOJ  is in awe of his love interest—her beauty leaves him in awe, and all he wants is to make her life more comfortable, showering her with luxurious gifts. This track is all about being the kind of person who’s ready to drop everything for their partner—whether it’s money or time, they’re there to make them happy.

    This is a feel-good love song. Picture “Money and Laughter” as you and bae shooting water guns in a stunning Bora Bora pool. Amaarae and Zamir’s features bring the perfect mix of teasing, hippy vibes, and playful energy that adds a naughty edge, exactly what lovers (and the girlies) enjoy.

    In a Happy Mood

    “Ife Wa Gbona” – Tiwa Savage (ft. Leo Wonder)

    “Ife Wa Gbona” translates to “Our love is hot” in Yorùbá. In this record, Tiwa Savage and Leo Wonder embody two lovers deeply in love, hand in hand, ready to face life’s ups and downs together—through the fire, the rain, and everything in between.

    The vibe is just right, and the lyrics? Perfect for expressing your feelings. If you’re ever in need of the perfect words for a “I’m so happy to have you in my life and I don’t want it to end” speech, this song has you covered.

    “You Are Like Melody, My Heart Skips A Beat” – M.I Abaga (ft. Lorraine Chia)

    In this track, M.I. Abaga starts by offering all the sweetest words to a beautiful woman, but by the second verse, he makes it clear that his intention isn’t just to flatter. While he does compliment her, it’s filled with an intimacy that goes deeper than mere words. As a listener, you can almost feel his emotions as he pours out his heart.

    Lorraine Chia’s chorus is pure magic, weaving poetry and melody into every note. M.I. was clearly deep in his feelings when creating this record. The nine-word title is no accident—it’s a complete sentence that reflects the joy and depth of his affection for his partner.

    In a Lonely Mood

    “Kokoro Ife” – Gabriel Afolayan

    In 2015 Gabriel Afolayan (then known as G-Fresh!) gave us one of the greatest contemporary Nigerian love songs. Loneliness seems to have gripped him so tightly that he can barely catch his breath as he sings about wanting his lover back. Her love has transformed his life, and he can’t bear the thought of it ending.

    In just four minutes and thirty-five seconds, Afolayan pours out his heart, expressing how much he misses her, his intense desire for love, and his dreams of her.

    If ringtones were still a thing, “I Miss You” would have a designated Nigerian anthem—and that anthem would be “Kokoro Ife.” It’s a song drenched in deep passion and classic, real lover’s music.

    “Wait For You” – Johnny Drille

    This song is for those moments when you’re far away from your lover, missing them deeply, and needing to reassure them that you’re not going anywhere. Johnny Drille truly poured his heart into this one. The brilliance of the song might just be the result of his early, hungry artist days, but either way, “Wait For You” is a standout. It was one of his first releases after Project Fame, and it remains one of his best.

    Highly recommended for anyone in a relationship.

    P.S. Ignore the naysayers who say long-distance relationships are a recipe for disaster. If you’ve got something real, this track is the perfect addition to your playlist. Let it nurture your love as your heart grows fonder.

    In the Mood for Youthful Exuberance

    “Flashing Lights” – Tekno

    In “Flashing Lights,” Tekno steps away from the fast-paced tempo of his usual hits and delivers a stripped-down, mid-tempo dancehall love jam. With lines like, “See me, I like the kind of vibe that’s for the fun / You made me feel like something new under the sun,” he captures your attention, making you stop everything to listen to his sweet words.

    Not only does he compliment his lover’s fun and infectious energy, but Tekno also credits her with helping him become a better version of himself. This is the kind of playful lamba only Tekno could craft—cheesy, cute, and full of romance, just as any romantic Nigerian man would say.

    “Joro” – Wizkid

    In “Joro”  Wizkid sings with the fear of losing his lover heavy on his mind. Whether it’s a comforting lie or his true feelings, he weaves sweet melodies so softly that “yes” seems to be the only response to everything. It’s an absolute eargasm. In his signature pidgin English, he expresses how thoughts of her keep him up all night, then subtly adds a playful twist, “wini-wini, wana-wana,” hinting that he wants to keep her up all night too. (We all know what he means, don’t we?)

    This is the kind of track you step, grind, and twerk to—all while being in the mood for love.

    In the Mood for Romance

    “Adore Her” – Ladipoe (ft. Funbi)

    Love at first sight is the kind of magic that makes a rapper drop lines like, “I’m gonna leave this place with your number, like you’re gonna leave that church with my name.” Ladipoe is confident he’s found his missing rib, and Funbi,  catchy hook makes the song even more memorable.

    If you’re overthinking whether or not to confess your feelings to someone, this track is your motivation. Even Ladipoe acknowledges that it might sound crazy, but it’s worth the risk. He closes with the audacious lines: “Is it just a kind of spell that I’m under? / Got me feeling crazy, girl, I must say.”

    “Forever Sweet” – DOTTi The Deity

    When the guitar strings and keyboard chords kick off this song, you might think it’s a soft ballad perfect for those mushy moments, like flying kites with your loved one. But then, the gangan and omele drums come in, turning it into a full-blown owambe party. This track is the kind of celebration suited for marriage or someone you see a lifetime with.

    DOTTi The Deity, passionately sings in both Yoruba and English, calling his lover his “forever sweet Valentine.” On this day, there’s no better reminder of everlasting love than this song, a perfect ode to a love that lasts forever.

    Listen here:

  • Today, we’re taking you to church with some fantastic, moving gospel songs. The gospel industry has always been a cornerstone of Nigerian music, and this week, we are highlighting the best that we’ve gotten in the 2020s (so far). The songs on this list were selected based on their quality, reach and arrangement.

    Here are the 20 best Nigerian gospel songs of the 2020s so far.

    20. “Ogo” — Dunsin Oyekun feat. Theophilus Sunday

    Dunsin Oyekan, Theophilus Sunday, and the supporting choir express their gratitude to God in this 10-minute-long worship song. The singers sing so loudly, I can picture their voices tearing the heavens open. 

    If you’re looking for a worship song to start your day, this is a great pick.

    19. “Eze Ebube” — Neon Adejo

    There’s a song for every state of mind, and “Eze Ebube” captures two: thanksgiving and backsliding. Neon Adejo ties them together as he reflects on his journey, recalling how far he’s come in his faith walk and crediting his growth to God.

    With heavy keyboard and guitar riffs swelling in the background, Neon’s voice projects loudly — as loud as his convictions. He’s backed by a large choir that complements rather than overwhelms him. Every singer hits their notes with precision, never missing a cue.

    18. “Worthy of My Praise” — Dunsin Oyekun feat. Lawrence Oyor

    The trueness of God and the devotion to those who worship him is at the heart of this song. “From my spirit to my soul until my voice re-echoes / You’re worthy of my praise,” Dunsin Oyekan and Lawrence Oyor sing, making this the perfect anthem when words of thanksgiving escape you.

    Its production rumbles with the deep, roaring baritones of these ministers, seamlessly shifting from singing praises to reciting lines for the choir to echo. Lawrence is the melody box, while Dunsin carries the fire of a prayer warrior, effortlessly moving from rhythm into speaking in tongues. But this song is more than its powerful lyrics. As the lead voices soar, the choir provides a grounding calm, turning the performance into something beyond just music — an out-of-body experience, abstract yet deeply felt.

    17. “Nazarene” — Anendlessocean

    If you need proof that faith-based music can thrive on Amapiano, this song is it. Born from the peace of mind that comes with salvation. Anendlessocean sings about finding a rare kind of love in his faith. With unwavering confidence, he declares the goodness God pours into his life—a devotion not just acknowledged, but celebrated. This isn’t just a song of gratitude; it’s a dedication to the ultimate source of joy. For Anendlessocean, that source is God.

    From its trilingual lyricism to its relatability, production, melodies, and undeniable replay value, this track ticks all the right boxes.

    16. “Correct” — Greatman Takit

    This song is Greatman Takit’s way of declaring that he serves a God who never abandons His worshipers. He sings about resilience — every time he has fallen, he has risen again, lifted by divine grace.

    The song’s song structure feels intentional, borrowing elements from mainstream music to create a sound that feels both fresh and familiar. From the Amapiano-infused production to the choral effects, Greatman Takit ensures listeners feel at home before delivering his message.

    15. “Omo Baba” — Spirit of Prophecy

    This is further proof that Nigerian gospel music isn’t rigid or one-dimensional. “Omo Baba” is a modern take on Afrobeats within the gospel space. Spirit of Prophecy speaks the language of today’s youth, using familiar lingo to draw them to God. 

    Accessibility matters in music — so does language. This song, created by a group of young artists shaped by youth culture, is made for everyone to experience. If we had to pick ten new-age gospel jams that’d pass the vibe check in any setting, “Omo Baba” would easily land in the top five.

    14. “Broken” — kaestrings

    In a moment of helplessness and vulnerability, kaestrings calls on a divine healer to mend his broken spirit. The song reflects the heart of a believer who admits they can’t fix themselves and, in surrender, places everything in the hands of God. 

    There’ll always be a place for ballads in music — especially ones performed by artists who have mastered the art of the emotional crescendo. In this song, kaestrings’s humanness shines just as brightly as his spirituality. His raw honesty is what makes this song so brilliant.

    13. “Eti Tobi To Jesu” — EmmaOMG feat. Pelumi Deborah

    This song takes a classic local church approach, opening with a short Bible verse to set the tone before launching into singing and performance. EmmaOMG and Pelumi Deborah weave figurative language throughout, painting a powerful picture of the mightiness of Jesus. 

    This is a praise song that’s simple yet enthralling, pulling in listeners with its call-and-response style. Unlike most contemporary songs, this is a record that I suspect the traditional and new generation church will keep reheating for many years to come.

    12. “Elijah Level” — Gaise Baba feat. Izee Smith

    According to Gaise Baba, the Holy Spirit has placed him on something extraordinary — like Elijah’s biblical chariot, moving at a speed not even six Ferraris could match. . The message is clear: as a believer, you’re always ahead.

    This track also benefits from being as groovy as your favourite afrobeats banger, blending vibrant energy with faith-driven lyrics. It’s a bold declaration wrapped in irresistible rhythm — further proof that gospel music can be just as exhilarating as any mainstream hit.

    11. “You I Live For” — Moses Bliss and Loveworld Indomitable Choir

    Moses Bliss and the choir make promises to listen to only their God, refusing to submit to mundane voices. This is their conviction, and they stand by it with their full chest.

    The choir-backed style remains timeless, even in the modern church. And if there’s anyone mastering it today, it’s Moses Bliss. This song stands as one of his sharpest performances, showcasing his ability to blend powerful vocals with unwavering faith.

    10. “Wonder” — Mercy Chinwo

    This is a praise song, hailing God for his continuous wonders that are all available to man for free. Mercy Chinwo is in the conversation for top 3 biggest gospel musicians of her generation, and the deserved success of this song is a big reason why.

    The drums burst the song open with a tempo that’s lively enough to get handkerchiefs waving in the air and bodies gyrating. It’s not only catchy, it packs all the emotional punch of communal worship.

    9. “Agbara Olorun Po” (Live) — Pst. Emmanuel Iren feat. Yetunde Are

    “Agbara Olorun Po” translates to “God’s power is mighty” in Yorùbá. The song alludes to the fall of the walls of Jericho and the parting of the Red Sea as a show of their God’s mighty power. Praise or worship session, this song will effortlessly bang — it’s a perfect blend of both.

    8. “That’s My Name” — TY Bello feat. Angeloh & Gaise Baba

    Walking in faith means carrying the assurance of God’s love — a love that remains steadfast even when we misstep. TY Bello believes this is the purest form of unconditional love she has ever felt, and she delivers that message with conviction.

    Since 2020, TY Bello has been on an impressive album run, releasing eight projects. And “That’s My Name, ” from her 2023 HEAVEN HAS COME album, definitely stands out as her most diverse and accessible track yet.

    7. “Jireh (My Provider)” — Limoblaze feat. Lecrae & Happiness

    Is it praise and worship if there’s zero thanks to God for providing? From the title to the chorus and verses, this song examines the gift of abundance that believers say they receive.

    Limoblaze fuses Afrobeats with Hip-Hop, creating a track that resonates with audiences from Africa to the US. American rapper Lecrae elevates the record with his witty, easy-on-the-ears rap verse, making it even more dynamic. 

    6. “Capable God” — Judikay

    On “Capable God,” Judikay knows that she’s a beneficiary of God’s provisions and acknowledges that fully unlocking every perk requires her full alignment with the word. With unwavering faith, she sings about having no fear of impossibilities.

    Her music pays homage to the legacy of gospel greats like Sister Chioma Jesus and Agatha Moses. In both style and delivery, she perfectly blends traditional praise and  worship with the modern gospel sounds. “Capable God” finds her at the peak of her powers, which explains why, with over 11 million plays, it’s her biggest Spotify hit.

    5. “New Generation” — Ebuka Songs & Moses Bliss

    This song is a rallying call to young Christians to carry their faith on their head. Two of the gospel scene’s favourites join forces, presenting themselves as models and representatives of Christ for the new generation. 

    More than just a gospel anthem, this track feels like an essential item in the new generation Christian starter pack. If there’s a song that proudly announces a young Nigerian’s identity as a believer, this is it.

    4. “Oni Duro” — Adeyinka Aleseleyori

    Imagine you take a loan, and God’s your guarantor — that’s the figurative reasoning behind this song about an unfailing God. Upon release, this song sparked controversy and debate when Tope Alabi, a senior gospel artist, criticised the semantics of the song title.

    The buzz only made the song bigger, with Fuji legend Pasuma covering it at a show to express support for Adeyinka Alaseyori. Beyond the drama, it’s an excellent song that has earned its spot among modern worship classics.

    3. “Ebenezeri” — Kent Edunjobi & APEX CHOIR feat. EmmaOMG

    For context, “Ebenezeri” is the Yoruba intonation of Ebenezer, a Hebrew word that means “stone of help.” This song is a heartfelt dedication to the Heavens for being a strong and dependable source of support

    The production is modern but intentionally leans toward a traditional sound rather than Western influences. Its language remains native and simple, borrowing from popular scriptures and older church songs — making it instantly familiar. EmmaOMG’s voice is unmistakable, shining alongside the feature. And when it comes to vocal dexterity, Kent Edunjobi and the choir ate.

    2. “Olorun Agbaye (You Are Mighty)” — Nathaniel Bassey feat. Chandler Moore & Oba

    The popular church song “Olorun Agbaye” (meaning “God of the whole wide world” in Yoruba) got a facelift in 2021 when Nathaniel Bassey and the featured artists expanded on its iconic chorus with new verses. They also added slower instrumentals, drawing listeners into a state of worship.

    Every performance of this song carries an undeniable power — a goosebump-inducing, soul-stirring rush of nostalgia that leaves even the coldest listener moved. It’s proof that a well-done remake can outshine the original.

    1. “Favour” — Lawrence Oyor

    This is a manifestation song — one that declares the angels have blown the doors of favours open. And it’s already living up to its message for the singer, Lawrence Oyor. “Favour” currently has over 4.5 million streams on Spotify, making it the most-streamed Nigerian song of 2025 on the platform so far.

    The production is cinematic, moving seamlessly from calm to intense. The lyricism is straightforward yet spellbinding — the kind of words you repeatedly sing until they lift you into an almost ethereal place. Backed by a powerful choral performance, the song echoes with the kind of heavenly resonance I imagine angels sound like.

    Listen here:

  • January 2025 has come and gone, but the soundtrack remains. This month’s Nigerian song releases have been a smooth ride from sultry slow jams to captivating rap tracks.

    In our last #BumpThis of the month, we’re rounding up the best songs to keep your playlists and your ears happy. Think of it as your January Nigerian music recap – minus your forgotten resolutions.

    10. “Original” — Suté Iwar

    Abuja-based rapper Suté Iwar makes an Afrobeats-rap fusion focused on staying true to self. He speaks to a lady he likes and boasts of his calm demeanour. Cocky but sure knows who he is and what he wants.

    9. “Bride Price” — Terry Apala feat. Bella Shmurda

    The matter of marriage excites Terry Apala on this record. Putting his breadwinner attribute at the forefront, he sings of a love interest who melts his heart. If she wants him as much as he does, he’s capable of affording their conjugal bliss.

    Bella Shmurda, with his recognisable sonorous voice, slides into the smooth-running percussion to say a bunch of hollow sweetness for love. It’s a groovy neo-Apala song.

    8. “Hello Shola” — Punchline Amund feat. DOTTI The Deity

    “Hello Shola” is a poignant tale of the average Nigerian trapped between dreams and survival. Punchline Amund paints a vivid picture of Shola—a character suffocating under the weight of peer pressure and desperation, trying to escape his reality by turning to schemes like Yahoo-Yahoo to survive. In a society where embarrassment lurks close by, Shola’s journey represents the frustration of countless young Nigerians caught in the crossfire of ambition and the harsh truth of everyday life.

    DOTTI The Deity’s haunting chorus adds depth to the narrative, underscoring the emotional toll of living in a system where choices are slim, and consequences can be deadly. The song becomes an anthem for those fighting to stay afloat in a world that often seems indifferent to their struggles.

    7. “Nuthin’ 4 Free” — President Zik and Hotyce

    It gets jiggy as President Zik and Hotyce put on a show for the ladies on “Nuthin’ 4 Free.” Swag and confidence on 100 as they make their best sweet-and-bad boy impressions. If you’re looking for a grown, fun, Hip-Hop record for the ladies, you have a winner here.

    6. Love In Tokyo — Paul Play and Olamide

    It’s unclear if music veteran Paul Play put out this Afrobeats jam for the love of music, or the coming Valentine’s, or if we’re witnessing his comeback. Whatever it is, he clearly hasn’t lost the spark in his voice. Olamide’s verse isn’t missed. More of Paul Play, please.

    5. “SILK SCARVES” — Igho Mike and Mxps Rellington feat. Being

    Igho Mike and Mxps Rellington are holding it down for Hip-Hop. They grind rhymes that leave their verses as two of the greatest raps you’ve ever heard. In one line, Mike is resistant to the industry’s water-down antics. Next, he’s riding for pan-African freedom. Mxps stays musing silky poetry that’d make Dostoyevsky abandon his work and search for street OT.

    Maintaining the same energy, Being ends the track on a cocky point. He waves sapa bye-bye and dust off his shoulders.

    4. “Damn It All” — Qing Madi

    Qing Madi is done playing nice guy. No more giving her time and energy to people who can’t love and keep it real with her. She sings through hurt, realisation and tougher skin to preserve her energy and put herself and time first.

    3. NSNV Vibe — Tml Vibez and DJ 4kerty

    In NSNV Vibe, Tml Vibez confidently declares his rise in street credibility, a steady cash flow, and a resilience that shows no signs of wavering. You can almost feel the electrifying energy in the studio—full of hype, enthusiasm, and that undeniable swagger. Whether fueled by spirit or sheer talent, Tml Vibez cements his position as the next big voice in the street-pop scene, and DJ 4kerty’s production only elevates the vibe, blending seamless beats that keep the energy high.

    What’s striking is how authentically this track comes across, almost making you forget that it’s actually a homage to his mentor and label boss, Seyi Vibez. The influence of Seyi’s signature tone, songwriting style, and overall energy is apparent in every aspect of NSNV Vibe. The title, “NSNV” (No Seyi, No Vibe), is a direct nod to Seyi Vibez’s album of the same name, giving props to the street-pop scene’s originators while solidifying Tml Vibez as a key player in its future. Street-pop isn’t going anywhere, and with tracks like this, it’s only getting stronger.

    2. “Reverse Back” — OluwaMillar feat. Mojo AF and Bayoo

    These rappers aren’t really talking about driving or any kind of movement. OluwaMillar and Mojo AF effortlessly spit multisyllabic rhymes in Yoruba, English and Pidgin English to vividly detail their coital skills and encounters and Bayoo takes the hook. These aren’t things that please the Lord, but your babe won’t disapprove.

    1. “Blessings (Alubarika)” — Shoday and Soundz

    The absence of suffering and poverty brings Shoday and Soundz to sing about their easy lives and give thanks to their creator. Superficial as it may sound, they have something to be thankful for.

    Listen here:

  • Let’s take a trip down memory lane and revisit the best Nigerian rap songs of the 2020s. While we can debate the current state of Hip-Hop in Nigeria, its relevance, and how it stands in the shadow of Afrobeats, one thing is clear—our local rap music remains one of the most authentic expressions of Nigerian culture.

    Some might argue that “Hip-Hop is dead,” but the truth is, it’s only been silent to those who aren’t listening. If you look closely, you’ll find a surplus of tracks brimming with lyrical dexterity, catchy hooks, and unapologetic swagger.

    The 2020s have been a wild ride for Nigerian rap, with countless dope tracks dropping in a bustling, competitive music scene. This week, Zikoko’s #BumpThis playlist is spotlighting the best Nigerian rap songs of the decade. From veterans like M.I Abaga and Vector to new-school talents like Alpha Ojini and Mojo AF, these are the tracks that have kept Hip-Hop alive and thriving.

    “Tone of the Conversation” — M.I Abaga & A-Q

    Rap is undeniably a competitive sport, but it transcends mere rivalry when an artist reaches a point where legacy outweighs the pursuit of prosperity. This track is a rap masterclass, combining brags, technical brilliance, and verses that burn like ether yet uplift the listener.

    M.I Abaga kicks off the track by setting the tone for the song and the entire project, confidently reflecting on his 13 years (at the time) of unmatched relevance and reverence in the Nigerian rap scene. A-Q follows with a hard-hitting second verse, unapologetically taking aim at other rappers, critics, and anyone with unfavourable opinions about him. His delivery is sharp and unapologetic, making this track an undeniable standout.

    “Tone of the Conversation” opens The Live Report, an album M.I Abaga and A-Q recorded in just four days, inspired by a fan’s tweet in April 2020 that called for their collaboration. This project marked a significant moment for Nigerian Hip-Hop, being the first joint effort from two major rap artists since Olamide and Phyno’s Two Kings.

    “Aguiyi Ironsi (Through the Mud)” — Paybac iBoro

    Beyond the clever puns, punchlines, and razor-sharp one-liners, Paybac iBoro uses this track as a subtle Nigerian history lesson. There’s a popular saying: “If you want to hide something from a black man, put it in a book. If you want to show it to him, put it in a hook.” That’s exactly what this record achieves—melding education with entertainment.

    The song opens with a strong declaration of resilience and progress, brimming with energy. Paybac draws a parallel between his detractors’ plans to bring him down and the tragic assassination of Aguiyi Ironsi, Nigeria’s first military president, during the 1966 coup d’état. This powerful metaphor, along with his use of rich Nigerian symbolism throughout his music, cements Paybac iBoro’s position as arguably the most authentically Nigerian rapper of his generation.

    “Aguiyi Ironsi (Through the Mud)” is the opening track on CULT!, Paybac’s critically acclaimed album. It’s not just a standout track on the project—it’s one of the finest examples of Nigerian rap in the last five years.

    “No Conversate” — Zilla Oaks feat. Marv OTM, Prettyboy D-O & Mojo AF

    This track brings together some of the leading voices in new-school rap, trading verses and weaving flows centred on one theme: money conversations. For these artists, that’s the only dialogue that matters. Simply put—if it’s not about money, don’t bother calling or sliding into their DMs.

    With its brash confidence and infectious energy, “No Conversate” is an anthem for those focused on securing the bag, making it a standout in the evolving landscape of Nigerian Hip-Hop.

    “Early Momo” — Vector feat. Goodgirl L.A

    The magic of rapper-singer collaborations is undeniable, and “Early Momo” proves that. Vector takes the lead on this sensual and romantic record, blending smooth singing and sharp rapping to express all five love languages with ease.

    The song reaches new heights every time Goodgirl L.A graces the track with her soulful verse and captivating chorus, adding a lush dimension to the overall experience. It’s the kind of chemistry that feels effortless yet unforgettable.

    If you overlook this song when listing the best Nigerian love records of the last five years, it’s either you don’t know ball, you’re not a true romantic or both.

    Vigilante Bop – Alpha Ojini feat. OdumoduBlvck 

    This track channels the raw frustration with Nigerian politics and the corruption and brutality of its police force. Alpha Ojini and OdumoduBlvck vividly portray the systemic failures, recounting instances of unjust abuse and societal decay.

    Alpha’s message is clear and unfiltered: from police arresting people for smoking shisha while hypocritically indulging in weed (an illegal drug in Nigeria) themselves, to the absurd possibility of selling 40 litres of fuel for ₦40,000. In hindsight, Alpha may well be a prophet—today, one litre sells for nearly ₦1,000.

    This hard-hitting track is both a social commentary and a grim reminder of the everyday struggles Nigerians face.

    “Tycoon” — Show Dem Camp feat. Reminisce & Mojo AF

    This is a fantastic rap showoff with a lineup of highly-rated lyricists. On this track, the OGs—Show Dem Camp (Ghost and Tec) and Reminisce—team up with new-school star Mojo AF to deliver a masterclass in lyrical excellence.

    Their verses take aim at rival rappers while celebrating the spoils of a comfortable and successful life. The effortless chemistry between generations of rappers makes this collaboration stand out.

    This track is a highlight from Clone Wars 5, the latest installment in Show Dem Camp’s critically acclaimed Clone Wars series, solidifying their position as architects of Nigerian Hip-Hop.

    “Eggrolls” — A-Q

    A-Q, one of the most consistent voices in Nigerian rap and arguably the best rapper of 2020, proves his mettle once again with “Eggrolls.” This standout track from God’s Engineering—a critically acclaimed album released just weeks before his joint project The Live Report with M.I Abaga—showcases A-Q’s remarkable storytelling and introspection.

    On “Eggrolls,” A-Q reflects on his journey from humble beginnings to his present success. He raps about his evolution from being just a rapper to orchestrating deals and creating opportunities for others, confidently drawing parallels to Jay-Z. The song paints a vivid contrast between his past struggles—when even an eggroll snack was out of reach—and his current life of abundance.

    With its blend of sharp lyricism and heartfelt storytelling, “Eggrolls” is not just a personal triumph but a testament to A-Q’s growth and resilience.

    “Hello Habibi” — Olamide feat. Russ

    Forget “Idan Buruku,” which is currently exciting to fans. Olamide’s best rap track in a while is undoubtedly “Hello Habibi.” Featuring American rapper Russ, the song kicks off with Russ’s swagger-filled verse, dripping with big-baller energy.

    Olamide, aka Baddo, takes it from there with a catchy chorus and two smooth verses, flaunting his “long money” and his willingness to splurge on any lady who catches his eye. This is sugar daddy-esque, big boy lifestyle rap music at its finest.

    “Hello Habibi” is Olamide at his most refined—confident, stylish, and effortlessly cool.

    “Agbalagbi” — OluwaMillar

    Drill rap reached new heights in Nigerian Hip-Hop in 2024, and one of the standout talents to emerge is OluwaMillar—a sharp lyricist known for his wordplay and slick delivery. Primarily rapping in Yorùbá with a mix of English and Pidgin, OluwaMillar brings a fresh, dynamic voice to the scene.

    His 2024 single “Agbalagbi,” which closes his newly released project of the same name, is a bold and braggadocious anthem. With this track, he asserts himself as a dominant figure in the rap game, positioning himself as a grand patron of sport while daring any competitors to challenge him.

    The song’s artwork—featuring OluwaMillar in a vibrant Yoruba OG dashiki—sets the tone, while the track itself samples Baba Suwe’s iconic “Agbalagbi to ju agbalagba lo” statement. From its hard-hitting delivery to its raw, hungry energy, this is the hardest we’ve heard a new rapper in recent times.

    “Vibes” — Reminisce feat. Mo Safaru & Fatima Safaru

    In 2020, veteran rapper Reminisce released an EP, Vibes & Inshallah. Its opening song, “Vibes,” responsible for the EP title, details his journey through fatherhood. The song intro has his daughters ask him why he records music all the time. He responds in the song: that’s how he provides. He further raps about spending time with them during the lazy months of COVID.

    Reminisce has already made songs about the pains and joys of fatherhood, but “Vibes” stands out in his catalogue. It’s Baba Hafusa at his rawest.

    Listen here:

  • We’re starting 2025 off right with a #BumpThis playlist that’s all about great music and positive energy. From Afrobeats to Alté and Hip-Hop, we’re serving up the best recent Nigerian tracks to bump to.

    Think chart-topping hits, underground gems, and everything in between.

    “This Year” — Jaywon

    Jaywon speaks positivity into his year on this classic song. It’s been twelve years since he put “This Year” out and it’s still a go-to at every end and start of a new year.

    “Holy Ghost” — Omah Lay

    This song is basically a prayer and there are some prayers on the track you can still make in 2025: “Holy Ghost fire, supernatural, give me confidence.”

    “Oloun” — PayBac iBoro featuring Payper Corleone

    “Swear to God, I must pop / Get the keys to the drop, Oloun!” is the declaration PayBac makes in the chorus of this track about making it in life. This is the energy to take into the year.

    “Organise” — Asake

    If you’re trying to lock in this new year and you’re disorganised, it’d likely be hard to get your affairs in order. Asake advises you to organise, AKA plan, and to never form I-Too-Know.

    “Better Off” — Deela & Genio Bambino

    Deela addresses people who like to take from others without providing value or usefulness in return. She’s focusing her energy on only folks who reciprocate the good energy she gives out. If you respect yourself, you should borrow energy from this jam.

    “Energy (Stay Far Way)” — Skepta and Wizkid 

    It’s a long year and you can’t predict all the bad belle things that might happen to you. Again, protecting your energy is highly essential and you need to hold this song to constantly remind you.

    “My Ability” — Lady Donli

    You should never reduce yourself or dim your light for anyone. Always kick self-doubt to the curb and shine your genius at what you do best, like Lady Donli sings in the song.

    “Stubborn” — Victony and Asake

    Stubborn isn’t telling you to be a nuisance or disturb others. The ginger to take away from here is to stand ten-toes on your business and ambitions all the time.

    “Mega Money Money” — Tiwa Savage

    It’s only one life. Don’t forget to enjoy yourself and live to the fullest this year. Chase money and spend it well on yourself. You deserve it.

    “Funmi Lowo” — Aramide featuring Sir Dauda

    This year, don’t accept exposure as payment. Make sure that you get paid your worth. If anyone plays with your money, tell them “Bitch, better have my money” like Aramide commands in this song.

    Listen here:

  • In this week’s edition of #BumpThis, we’re shining a light on the underground talents who are quietly reshaping Nigeria’s music scene. These artists may not be household names yet, but their fresh sounds are making waves in Hip-Hop, Afrobeats, and Amapiano.

    From up-and-coming stars to hidden gems, get ready to discover the tracks that are set to keep you bumping all month long.

    ON GUARD — Priesst

    Priesst stays alert, ever-watchful for opportunities, threats, or anything that might catch him off guard. With a street-inspired theme, this track resonates across various settings, making it versatile and impactful.

    Cook Am — EESKAY

    Amid recent beef and tensions, Abuja-based rapper EESKAY seems to be throwing shots at OdumoduBlvck in this fiery single. With aggressive bars and intense delivery, the track is packed with heavy shots that could be aimed at any opponent.

    Lady — Deto Black

    “Omoge to fine, iwo na n pe divine / Ma je kan sope o lese, ni suuru / Just take your time.” Deto Black’s latest single empowers women with messages of self-confidence and patience. By flipping societal expectations, she transforms them into symbols of autonomy and strength, celebrating the unstoppable spirit of women everywhere.

    Island Breeze — MarvOTM featuring Azanti and Tim Lyre

    For hedonists and “chop life” people, especially stoners, the laid-back vibe of Lagos Island sets the perfect backdrop to relax, get high, or daydream about romantic escapades. With lyrics that channel the freedom of island living and the luxury of baecations, this track is your new go-to for lifestyle quotes and captions.

    SHAKITI — Tomi Obanure featuring Mojo AF

    Drawing inspiration from Olamide’s “Shakiti Bobo,” Tomi Obanure’s “SHAKITI” exudes the charm of a determined, street-savvy guy. It’s the perfect track to chill to, cruise around with, or simply vibe out to as you bob your head.

    Matters — T.O.D SZN featuring Reeplay

    Drill artist T.O.D SZN delivers his razor-sharp lyricism, seamlessly connecting Lagos, Abuja, and the UK while flexing his network across cities. In true drill fashion, this track serves as a warning: don’t mess with someone who’s got connections in every postcode.

    Focus — Femi Jr featuring Fave

    A track dedicated to giving your undivided attention to a lover—nothing more, nothing less. While the songwriting could have been sharper, the smooth production makes up for it, creating an easygoing vibe.

    JEWO — brazy

    Over pulsating log drums, brazy sings and raps about keeping her business to herself—what’s hers, no one needs to know. Her focus is on stacking her money like a “mad woman,” staying true to her hustle.

    Check and Balance — Creek MOB, Vynchie, Mamza & PartyBoi Logo

    Producer Vynchie teams up with these artists to bring a track that celebrates fun and flexing. With mentions of Cash App and other payment methods, the song is a clear call to ballers. If you’ll be outside this December to spend, this should be your Detty December anthem.

    Friend Request — Jaido P

    Jaido P isn’t apologetic for the friendships that faded while he’s focused on chasing dreams and securing the bag. He reflects on old friends but admits he’s too busy to reach out. New connections? They won’t stand a chance unless they come with money—that’s what gets his attention.

    Listen here:

  • The term “Girl Power” which symbolises strength, resilience, and beauty has long been etched in the fabric of African culture.

    In Afrobeats, this idea of Girl Power has been celebrated, explored, and redefined by some of Nigeria’s most talented female artists. From Tiwa Savage’s empowering anthems to Yemi Alade’s rallying cries for female independence, these women have used their music to weave narratives that uplift, inspire, and celebrate the strong African woman.

    In this edition of #BumpThis, we’re curating a playlist that honours the spirit of Girl Power—a playlist that showcases the best of Afrobeats’ female artists and their contributions to the genre.

    So Beautiful — Asa

    Asa dedicates “So Beautiful” to her mother. Although Asa’s mother has passed, she eulogises and asks us to join her to thank her mother. Powerful record.

    T-Unit — Tems

    What’s Girl Power without confidence? In T-Unit, Tems gets confident in her artistry, proud of what she’s achieved in a short time. She’s also protective of her gift, identity and energy, so much that she can go to war for them. Aside from being a praise and encouragement to self, it’s an inspiration to other aspiring women.

    African Woman — Yemi Alade feat. Angelique Kidjo

    “African Woman” is one of the standout songs on Yemi Alade’s new album, Rebel Queen. It calls on celebrating African girls and women everywhere and every day. Angelique Kidjo, an older champion of African music meets Yemi Alade, a younger generation standing on her shoulders. If there are Nigerian contemporary pop artists who have completely thrown themselves into exalting the image of the African feminine, Yemi Alade will come on top. Building on her previous works such as King of Queens, Mama Africa, Woman of Steel, Empress, Queendoncom, African Baddie, her latest, “Rebel Queen”, continues to eulogise African women and beauty.

    Pan African Rockstar — Lady Donli

    After adopting the “Pan African Rockstar” title, Lady Donli expanded it into a full-length album. The titular song, which captures the album’s central theme, makes her case for fulfilling her musical dream and the hard work and effort it takes to be great at her craft. This is a celebration of her personal achievement and the ground she has covered in her musical journey.

    Woman Commando — Ayra Starr feat. Anitta and Coco Jones

    With the supreme knowledge of self comes a fierce awareness. Ayra Starr, assured of her brilliance and suave, presents herself as a Commando. She’s trained and always ready to carry out the smoothest and most impressive missions, as an artist, climbing the biggest music stages and charts. Anitta and Coco Jones from America joined her on this record—it really shows Ayra’s mission to spread her African girl joy across the world.

    Koroba — Tiwa Savage

    Whether you wear African waist beads or not, this jam trolls misogynistic and patriarchal societal expectations placed on African women who choose to live a life of enjoyment. If you like, accuse her of dating a politician because she can afford air travel and luxury deisgner goods, she’s not bothered. Tiwa Savage is simply saying that you can’t shame her for wanting a life of enjoyment. 

    As I Dey — Omawumi

    Taking from Omawumi’s debut album, Wonder Woman, I look at the song “As I Dey,” which raises a strong relationship issue. She sings about an understanding partner, not the gullible type, the one who’s nonjudgmental and gives grace. She talks about the busy nature of her job as a musician and how her partner should consider that when she’s unavailable. Omawumi makes her stance: if you won’t take her as she is, leave her alone.

    The Truth — Waje

    Waje’s debut album is titled Words Aren’t Just Enough, an acronym of her stage name. It’s not a mistake that she has a lot to say on “The Truth,” the opening of Red Velvet, her second album. She sets herself free by telling the truth to a lover she doesn’t love deeply. But maybe it’s good the man knows where her head is at. This ballad is about letting go of love that isn’t meant to be. Be like Waje, tell the truth today and be free from that relationship baggage.

    Woman to Woman — Simi

    “Woman to woman” suggests women appreciating, empowering, uplifting each other. This is Simi’s love letter to all women.

    Listen here:

  • At the forefront of Afrobeats’ global takeover are the “Big 3” — Wizkid, Davido, and Burna Boy. With their unique styles and undeniable talent, they’ve not only put Afrobeats on the map but have also inspired a whole new generation of artists.

    In this edition of #BumpThis, we’re highlighting career-defining songs from each of the Big 3. From Wizkid’s soulful melodies to Davido’s energetic bops and Burna Boy’s socially conscious anthems, we’re diving into the songs that have reverberated their names time and time again.

    Holla At Your Boy — Wizkid

    When Wizkid dropped this song in 2010, he was the coolest kid Nigerian teenagers of that era had seen. “Holla At Your Boy” was everywhere, vibrating: “When you see me come around, I gat you looking at me.” High-school love wanted to wound Wiz, just as the young listeners of that era. Well, they aren’t kids again but we’ll always remember this hit.

    Dami Duro — Davido 

    The O.B.O (Omo Baba Olowo, meaning “wealthy man’s son”) the nickname everyone, far and wide, calls Davido now came from “Dami Duro”. That was the track that introduced him to the mainstream and launched him to stardom. His ask to the gatekeepers was simple: “E ma Dami duro, emi omo baba olowo—”Don’t stop me, I’m a wealthy man’s son.”

    Like to Party — Burna Boy

    At a time when mainstream music’s tempo was hyper-fast and the fashion of the musician stars was mostly checked shirts, branded tees, jeans, and large sunglasses, Burna Boy arrived in Versace shades and shirts, unbuttoned and chest bare. He was ready to party and take the music slow. It is always a certified party starter at anytime.

    Ojuelegba — Wizkid

    Ojuelegba is a bustling place in Lagos Mainland. It’s where Wizkid grew up, honed his musical talent and recorded his first songs. It’s only right that he sings about it and his experiences there. This song is also one of the earliest Afrobeats crossovers. Its remix features Skepta and Drake.

    If — Davido

    There are not many Afrobeats songs that’re certified diamond by the US’s Recording Industry Association of America. Davido’s “If” is one. “If I tell you say I love you o / My money, my body na your own o, baby / 30 billion for the account o” is hall-of-fame worthy. Davido courts and assures his babe of his loyalty to her, with some cash to support. Love is sweeter when money enters.

    Ye — Burna Boy

    One of the biggest songs on Burna Boy’s Outside album (2016) is “Ye.” The song was popping around when Kanye West changed his name to Ye and released an album. The searches for America’s Ye album resulted in the Burna Boy song, and most ended up playing it. Confused Americans kept tweeting they found the wrong Ye, but they loved what they heard. It was up from there.

    A jam about Nigerian daily struggles and aspirations that also makes parties fun.

    Essence — Wizkid feat. Tems

    Wizkid collaborated with Tems to create a song. The result is “Essence,” a Grammy-nominated song. No lead single for the Made in Lagos album would have been better. It’s a love song. Both singers hold the position of a lover, singing of commitment and possibly a lifelong affair. Thanks to the success of this song and her preparation to meet opportunities, Tems has gone on to be a global star and is now a solo Grammy-nominated artist. 

    UNAVAILABLE — Davido feat. Musa Keys

    You can take this song and play it as a response to almost any situation you don’t want to be in or any person you don’t want in your presence. It features a South African singer and producer. When you do this song, don’t forget to do the dance—you have to go all the way.

    Last Last — Burna Boy

    Burna Boy sang his heart out in “Last Last” which he released after his breakup with Stefflon Don. When the pain wouldn’t go away quickly, igbeaux and shayo numbed it. Aside from the sweet melody, another beauty of this song is its acceptance worldwide—one of 2023’s biggest songs.

    B. D’OR — Burna featuring Wizkid

    Wiz and Burna linked up to throw a party on “B. D’OR” (meaning “Balloon D’or”), the biggest award given to the best international footballer of the year. It’s their interpretation of being the best acts of the year. The only issue here is: only one person goes home with the Balloon D’or. You can give the award to whoever you like at the end of the playlist.

    PS: Can they put their BS aside and do something together? We can only live in hope.

    Anyway, the playlist is here: