Quizzes

Stacks

Shows

Podcasts

Newsletters

Naira Life

Love Life

Hustleprint

Love Currency

Sunken Ships

What She Said

My Bro

So You Don’t Have To

Interview With…

Zikoko Memes

Jollof Road

Cholera Outbreak Update

Follow our socials

  • For many Nigerians, love doesn’t always end in fireworks. There are the undefined ‘what-ifs’ and almost-relationships. *Tochukwu (23) knows this feeling all too well. From a transactional first love to an undefined entanglement that left him guessing, dating has been anything but smooth.

    He shares how his views on love have changed since then, and why he’s not seeking out love, for now.

    What’s your current relationship status, and how do you feel about it?

    I’m single. Considering the chaos in the Nigerian dating space, I’m happy about it. People only want casual relationships these days.

    When did you first find yourself “on the streets,” and what kicked things off?

    I think we’re all on the streets by default until we find someone. But I got off the streets for a while when I reconnected with *Vera, a primary school friend, in 2019. We started dating a year later, but looking back, I should’ve known we wouldn’t last.

    What happened?

    It started off as sweet, young love. We saw each other almost every day and went on many dates. She was thoughtful at times by always checking with me, and I genuinely loved her. But over time, she started comparing me to other people who spoiled their girlfriends and constantly complained about money. I was still a student, living on an allowance, but I planned most of our dates and paid for everything.

    The moment that changed things for me was when my sister, who owns a pastry business, did a giveaway. Vera won, thanks to some help from me, but I was shocked when she asked me for money to get the item delivered. That’s when I started seeing the relationship differently. It felt purely transactional. Things ended shortly after. Even though we dated for less than a year, she was my first love. The breakup wasn’t easy, but it was draining my pockets, and I had to be logical.

    A casual relationship with a coursemate helped me move on from Vera. Still, it didn’t go anywhere serious — she was already in a relationship, and I had to transfer schools when the ASUU strike happened.

    Was that a connection you were really excited about?

    No, it wasn’t. It just happened, and I didn’t put my heart into it since she had a boyfriend. But there were two connections I actually wanted that didn’t work out.

    One was with a close friend I caught feelings for. I told her, but she didn’t feel the same. The other was more recent; I met her at a rave. We danced, vibed, and she even asked me to take videos of her. But I didn’t get her number or name. I regretted it later, but I was still healing from the scars of my last situationship. I still think about her sometimes.

    Can you talk about this “situationship” that left you in a bad place?

    I met *Tolu in my third year. She was missing some details from a course we took together,  so I texted her on X. We started chatting daily and grew really close. We bonded over long walks around school and held hands. We eventually admitted our feelings 

    Not long after that, we had to leave school for our 6-month Industrial training. I travelled abroad for mine, while Tolu stayed in Lagos. We made it work despite the one-hour time difference. But a few months in, I noticed our communication dipped. She said work was stressful and made it hard to constantly keep in touch. Then there was this money issue. She asked me to send her money, and I got debited twice. She didn’t mention the second payment until I brought it up. I felt weird about that.

    Things kept getting worse. I expected things to return to normal when I returned, but Tolu had a guy’s picture on her lock screen. She claimed a friend set it as a joke. I wanted to make things official, but she kept stalling, saying she wasn’t ready for the pressure that came with the label. So we stayed in this undefined grey area.

    One day, I had to help her fix her laptop, and that was when I noticed her X account was still logged in. I didn’t check at first, but I took it as a sign when the laptop developed another fault. I went through her DMs and found conversations with an “ex” she claimed she wasn’t talking to. They had planned meetups during the IT period. I also saw flirty DMs from other guys she didn’t shut down. I was hurt, but I still made excuses for her. I never even brought it up. I couldn’t hold her accountable for most of what she did because we hadn’t made it official.

    I’m curious. Why didn’t you walk away at that point?

    Unlike my first relationship, what I shared with Tolu didn’t feel transactional. She reciprocated in her own way, and I thought we had something worth fighting for. I was hopeful. I felt we had something worth fixing.

    I also blamed myself for not defining things sooner. We were already so close that it felt like giving it a label wouldn’t change anything. 

    But then I found Tolu’s nudes saved to someone else’s Snap. I also saw a playlist titled “Songs to Listen to When I Miss You”. In the cover photo, she hugged a guy I recognised from her office. The worst part? They were songs I’d sent her. I confronted her, but she just cried and said I had no right to go through her phone.

    Get More Zikoko Goodness in Your Mail

    Subscribe to our newsletters and never miss any of the action

    What finally ended the ship?

    After school ended, I tried to plan a date, but she kept making excuses. Then I saw her post about a date with a guy she once described as  “just a friend.” He was some upcoming artist whose songs she had once begged me to stream. I blocked her everywhere.

    She kept calling and texting. I eventually told her it was over, and then I blocked her for good. A mutual friend later told me she liked me at the start, but was using me as a rebound. That helped me let go completely after more than two years. 

    I’m sorry. Anything interesting happening with your love life these days?

    Not really. I’ve been for a year, and that’s long enough to realise that nobody wants to be accountable. It’s so easy to get discarded for the next “shiny” thing. 

    I also don’t approach women anymore — not just because of what I’ve been through, but because my female friends have shared how uncomfortable they feel when random men approach them. So I stay careful. 

    Have you considered dating apps?

    I used to think dating apps were for people desperate to find a relationship, especially in this part of the world where it’s not the norm. It’s a stereotype I’m still unlearning, but I’ve never felt the need to try one. 

    Dating apps take away some of the spontaneity you get from real-life connections. I’m not open to them right now since I’m not feeling any pressure, but who knows? Maybe I’ll give them a shot sometime in the future.

    Right. Plan to leave the streets soon?

    I think about leaving sometimes, especially when I run into couples at events. There’s something beautiful about watching people in love. But right now? I’ve got bigger goals to focus on.  My master’s tops that list, and there’s work, too. They currently keep me occupied, and I think love can wait.

    For how long?

    Ideally, the next couple of years. Love tends to show up when you least expect it, so while I want to protect myself, I don’t want to shut out the possibility completely. I’d like to achieve my goals before putting myself out there again

    Fair enough. What’s something that gives you hope about dating?

    I’m still young, the right person will come when it’s time, and I’ll be ready.

    What’s one thing the streets are teaching you about love and partnership?

    I’m learning to slow down and get to really know people before giving too much, not just emotionally but also in terms of time and expectations. Don’t dive in just because it feels good in the moment. I’ve learned to look for alignment in values, emotional maturity, and how they handle pressure or uncertainty.

    When I’m ready, I’ll have a serious relationship in mind and expect the other person to have similar goals and temperaments. I think that’s where I clashed with my previous love interests. We just weren’t on the same page, and I ignored it.

    Finally, how are the streets treating you these days? Give it a rating on a scale of 1-10

    8/10. I’m still meeting cool people when I want, so it’s not bad. The missing two points are for when I feel lonely.

    Read Next: He Broke Up With Me, But I Couldn’t Stop Going Back To Him

    [ad]

  • I’m back with another update—so you know what that means: time to refresh your playlist. Whether you’re looking for the perfect soundtrack to kick off your weekend or something to carry you through the week ahead, we’ve got you covered.

    Here are the 10 best new Nigerian songs you should have on your radar this week.

    10. “Let Em Know” — Hybridbwoy & Bizzonthetrack

    The lead single from Hybridbwoy and Bizzonthetrack’s joint tape Let Me Know is a bold declaration. After grinding in the background for a while, “Let Em Know” marks their official arrival—aimed at both fans and skeptics, gatekeepers and doubters.

    If you haven’t been paying attention to their craft, now’s the time to tune in. Ignore them, and you just might miss out on some of the most authentic music coming out right now.

    9. “State of Emergency” — EESKAY feat. DanDizzy

    Abuja’s EESKAY links up with Port Harcourt’s DanDizzy for a gritty drill track that blends cocky bars with raw personal reflections. “State of Emergency” feels like both a warning and a flex—equal parts street gospel and lyrical sparring match.

    The beat is dark and haunting, the kind of song that hits differently when you’re alone in a dimly lit room. Fair warning: one listen might just raise your confidence levels by a few notches.

    8. London Girl — M3lon feat. Minz

    M3lon takes a tender approach on “London Girl,” singing about the rush of new love with someone he’s just met. Minz slides in with the same sentiment, adding warmth to the dreamy vibe they create together.

    While the theme might feel familiar, it’s the atmosphere that sets this track apart—soft, airy, and perfect for a talking stage playlist. Go ahead, let it soundtrack your late-night chats.

    7. “Reason 2 Japa” — Mayorkun

    Mayorkun returns with “Reason 2 Japa,” a heartfelt response to Nigeria’s ongoing socio-economic frustrations. Tired of broken promises and a system that just doesn’t work, he expresses a growing desire to leave it all behind.

    With London and the US in his sights, this track captures the restlessness and resignation many Nigerians feel. Whether a “new dispensation” is coming or still just wishful thinking, this might just be your new anthem.

    6. “Trouble” — Keziah Mallam feat. Tim Lyre

    Producer-singer Keziah Mallam teams up with Tim Lyre for “Trouble,” a soulful exploration of love that lingers. Over smooth basslines and moody production, they search for connection—even if it means courting a bit of chaos along the way.

    This one’s for the R&B lovers, the romantics, and everyone still believing that the experience of love—messy or not—is worth chasing.

    Get More Zikoko Goodness in Your Mail

    Subscribe to our newsletters and never miss any of the action

    5. “No Disorder” — Lil Kesh

    Lil Kesh rides an Afrobeats-meets-Amapiano beat with swagger on “No Disorder,” rapping about soft life, steady cash flow, and having fun without interruptions.

    With his signature Yoruba-infused delivery and street lamba, this one’s made for movement—whether you’re turning up the stereo or cruising through the city.

    4. “Pemiloruko” — Niphkeys feat. Lil Kesh & L.A.X

    On “Pemiloruko,” the sixth track off Intergalactic Dreams, producer Niphkeys breathes new life into Kola Ogunkoya’s 2000 classic, “Sweetie Baby.” The sample sets the tone for a playful, lust-filled pursuit, with Lil Kesh and L.A.X echoing the original’s theme of unfiltered desire—disrespect and all.

    There’s a gleeful acceptance of obsession here, wrapped in a smooth, nostalgic melody. Lil Kesh continues to show signs of a strong comeback, and alongside L.A.X and Niphkeys’ stellar production, no one misses a beat.

    3. “Alubarika” — Victor AD

    “Alubarika” is a celebration of success and a prayer to stay on top forever. It gives every achiever a moment to bask in their triumphs while hoping that the good times never end.

    In a society like ours, these aspirations are more than relatable—they’re prayers. The song resonates with anyone grinding to enjoy the fruits of their labour, even if it’s just for a fleeting moment. This one’s for the hot and thriving boys and girls. Keep winning.

    2. “Survival” — Tay Iwar

    In “Survival,” Tay Iwar opens up about his survival tactics, singing candidly about wearing his heart on his sleeve and grappling with trust issues in different aspects of life. Despite the challenges, he’s made his peace—he’ll never fully escape detractors or adversity.

    The track may be short, but its haunting melodies and relatable messages will have you hitting repeat, over and over again.

    1. “Sweet Danger” — Obongjayar

    Obongjayar fully embraces his bad boy persona in “Sweet Danger.” Aware of his unavailability, zero commitment, and lack of anything substantial to offer, he still sweetly woos a lady who seems willing to entertain his charms. He’s the problem in the relationship even before it begins—his red flags are that obvious. But despite all that, he keeps it persuasive, cute, and surprisingly mushy.

    For the sweet souls wearing their hearts on their sleeves, there’s a special track for you here.

    Listen here:

    [ad][/ad]

  • As we wrap up the last week of March, we’re closing it out with bangers.

    From Hip-Hop and R&B to Afrobeats, Highlife, and House-infused sounds, here are ten fantastic new Nigerian songs that should be on your radar this week. Carefully curated for your premium music taste, this list is all about the best new releases you need to hear.

    Enjoy!

    10. “Brother” – Highstarlavista feat. Hugo P

    This track is a wake-up call to friends and associates. Igbo rappers Highstarlavista and Hugo P paint a vivid picture of the harsh realities of the streets, urging listeners to stay focused, secure the bag, and watch out for those who might want to take what they have.

    A hard-hitting drill rap record with a strong streetwise message, Brother delivers raw energy and sharp lyricism. If that’s your vibe, hit play.

    9. “Hustler’s Anthem” – Bayanni feat. Don Jazzy

    Bayanni and Don Jazzy have no time for the “money can’t buy happiness” mentality—they’re all about stacking cash nonstop. And let’s be real, money solves plenty of problems, so why not make as much of it as possible?

    This track is an anthem for everyone grinding to escape poverty, a motivational banger for hustlers chasing success.

    8. “Mulla” – Kashcoming

    Money is deeply woven into the Nigerian identity—an obsession you just can’t take away. Like many before him, Kashcoming sings about its necessity. In his world, money isn’t just wealth; it’s respect, access, and freedom from ridicule.

    While “Mulla” carries the same aspirational energy as many street anthems, its production takes an unorthodox route, making it stand out. A smooth and compelling listen.

    7. “Wetin (Remix)” – Yarden feat. Libianca

    This track dives into the sting of unreciprocated love—something we’ve all experienced. But instead of walking away blindly, Yarden seeks clarity, wanting to understand his rejection before he moves on. Yet, even in his search for closure, his longing still lingers.

    Cameroonian singer Libianca mirrors his emotions, adding her own unique touch to the remix, which arrives two years after the original. If you’re in this phase, Yarden’s song understands your pain.

    6. “Options” – Tesh Carter

    Matters of the heart come with emotions, but Tesh Carter has already made up her mind—she’s moving on. With self-worth and shakara in full effect, she sings about a love that’s fading and the power she holds in letting go.

    She doesn’t need saving—she’s got options and is living on her own terms. The song’s groove and ambience feel like twirling in a silk robe, wine in hand, celebrating the well-earned exit of a once-special love.

    Get More Zikoko Goodness in Your Mail

    Subscribe to our newsletters and never miss any of the action

    5. “Flee” – Ejoya feat. Aisosa, RnB Princess & Arieenati

    Ejoya Music’s newly released Velvet EP—the R&B chapter of its Ejoya Class of 2025 album—delivers “Flee,” the project’s most emotionally stirring record.

    Singers Aisosa and RnB Princess lay bare the moment of choosing peace over a toxic relationship. They don’t linger in heartbreak; they walk away for the sake of sanity—just as every self-loving person should.

    If a past relationship still stings, let this song remind you why you chose comfort over chaos.

    4. “Babcock” – Dxtiny

    Long-distance love is no joke, and Dxtiny captures the ache that even FaceTime can’t fix. His love interest is miles away at Babcock University, while he’s stuck in Uyo, counting the days until she returns.

    With longing in his voice, he clings to the hope of seeing her again—so long as his patience doesn’t wear thin.

    3. “Like Awilo” – PayBac iBoro & The Chill

    Carefree and electric, PayBac iBoro channels the vibrant energy of Awilo Logomba’s iconic dance moves on this bouncy new single from his upcoming OMO BOY MIXTAPE. 

    Over The Chill’s dynamic production, he seamlessly blends rap and melody, laying bare his emotions, vices, and desires. He wants to dominate his game, embrace joy, confront sadness, and find company—all at once. And he does it in the most infectious way possible.

    2. “I’ll Be Okay” – Joeboy feat. Wizard Chan

    Joeboy embraces vulnerability on Viva Lavida, and “I’ll Be Okay” is one of its most poignant moments. He lays his fears bare, hoping his imperfections won’t hold him back. Wizard Chan mirrors this openness, though his leans toward faith and divine guidance.

    Despite the urgency in their pleas for peace and clarity, both artists remain hopeful. Their message? Keep pushing forward—calm and assured.

    1. “Believe” – Noon Dave

    Chocolate City signee Noon Dave reflects on his journey with pride, embracing the growth that once seemed distant. He prays for longevity to enjoy the success he’s steadily building. While not everyone saw his potential from the start, he’s certain that, in time, they will.

    This track is an anthem for self-belief. If you’ve ever faced doubt, let Noon Dave’s conviction remind you to trust your own path.

    Listen here:

    [ad][/ad]

  • It’s time to upgrade your playlist!

    This week saw some of your faves drop major bangers that are perfect for the weekend. Whether you’re looking for new Nigerian music to power through the week or just something fresh for your playlist, I’ve got you covered.

    Here are the best new Nigerian songs for the third week in March 2025.

    10. “FOR YOU” – Khaid

    Rising singer Khaid makes a heartfelt plea to his love interest, presenting himself as her best option—if she’s ready to mingle. He’s even willing to sacrifice his comfort for her happiness. The lyrics may be sugary, but the clarity and intent make them worth listening to. If you’re still vibing with Amapiano, this one’s for you.

    9. “BK&FRTH” – Behgo and Inçi feat. Tim Lyre

    Behgo and Inçi explore relationship struggles, centring on the kind of intimate moments that leave edges sweated out—true freak behaviour. But at its core, it’s more lust than love. If this matches your mood or you’re thinking of dialling a familiar number, consider this your soundtrack.

    8. “For Days” – Tiphe

    Tiphe reflects on the hard work he’s putting into his music, envisioning a future where he reaps the fruits of his labour. With confidence in his talent and dedication, he lives every moment as part of a divine journey.

    7. “Keep On Loving Me (Biko Biko)” – Lady Donli

    Lady Donli explores indie sound in her new single produced by Yinka Bernie. “Keep On Loving Me” flows over dreamy drums, rich basslines, pulsating trumpets, and what sounds like a Malian guitar, all wrapped in cotton-candy lyrics about a love that shouldn’t end. With Donli in full yearning mode, this one’s for the romantics.

    6. “Inertia” – Meji

    Rapper Meji ends his three-year hiatus with “Inertia,” a raw reflection on his emotional state. From heartbreak to shaken confidence, he wrestles with his demons—escaping one struggle today, only to fall into another tomorrow. But recovery starts with acceptance. Acknowledging his battles, he pulls himself up by the bootstraps, determined to push forward despite the weight of his struggles.

    Get More Zikoko Goodness in Your Mail

    Subscribe to our newsletters and never miss any of the action

    5. “Idan” – Ejoya feat. OluwaMillar, CandyBleakz & Arieenati

    Things heat up on “Idan,” the third track from Ejoya’s Flow State EP. OluwaMillar slices through the drill beat with rapid-fire verses, flexing his rap prowess, while Candy Bleakz takes over the second verse with streetwise lamba. This is a meeting of two of the most exciting Indigenous spitters right now. If you love rappers going off just for the thrill—while keeping it catchy—this one’s for you.

    4. “Moving Bad” – Ejoya feat. Kjuni, Tomi Obanure & Arieenati

    The raps keep coming on “Moving Bad,” produced by Arieenati. Yoruba rapper Kjuni kicks things off with a striking bar about marijuana costing more than therapy—a jab at both the economy and mental health in Nigeria. His gripping verse sets the stage for Abuja-based Tomi Obanure, who steps in with a raw, aggressive energy. With a don’t-fuck-with-me attitude, Tomi flexes his toughness both on the mic and in the streets.

    This is hard rap at one of its finest!

    3. “I No Be God” – Ladipoe

    Ladipoe is in love and vulnerable. He wears his heart on his sleeve. Even as he pleads for more consideration in his relationship—”I no be God, I be somebody’s son”— he makes it clear he’ll show up for his partner at the slightest inconvenience. No distance, no weather, nothing can keep him away when she calls.

    If you’re in love, this one comes highly recommended.

    2. “Better” – Zlatan feat. Fola

    Aspirations and street wisdom come together in this hustler’s anthem. Zlatan delivers two verses detailing the grind to the top, channelling a mix of motivation and paranoia—the kind that fuels FOMO on wealth and pushes listeners to hustle harder. Rising singer Fola brings a dose of optimism to the chorus, reinforcing Zlatan’s message.

    This one’s for everyone hoping for better days.

    1. “Medicine” – Pandamonae

    Just like Marvin Gaye, Pandamonae finds “sexual healing” in his romantic relationships. Swap the love he sings about for something stronger, and this track feels like pure intoxication—his swooning vocals and echoes floating over breezy production. With simple yet captivating lyrics, the irresistible chorus and hook pull listeners in effortlessly.

    There aren’t many new love songs this week, but this one stands out as the best.

    Listen here:

    [ad][/ad]

  • At the forefront of Afrobeats’ global takeover are the “Big 3” — Wizkid, Davido, and Burna Boy. With their unique styles and undeniable talent, they’ve not only put Afrobeats on the map but have also inspired a whole new generation of artists.

    In this edition of #BumpThis, we’re highlighting career-defining songs from each of the Big 3. From Wizkid’s soulful melodies to Davido’s energetic bops and Burna Boy’s socially conscious anthems, we’re diving into the songs that have reverberated their names time and time again.

    Holla At Your Boy — Wizkid

    When Wizkid dropped this song in 2010, he was the coolest kid Nigerian teenagers of that era had seen. “Holla At Your Boy” was everywhere, vibrating: “When you see me come around, I gat you looking at me.” High-school love wanted to wound Wiz, just as the young listeners of that era. Well, they aren’t kids again but we’ll always remember this hit.

    Dami Duro — Davido 

    The O.B.O (Omo Baba Olowo, meaning “wealthy man’s son”) the nickname everyone, far and wide, calls Davido now came from “Dami Duro”. That was the track that introduced him to the mainstream and launched him to stardom. His ask to the gatekeepers was simple: “E ma Dami duro, emi omo baba olowo—”Don’t stop me, I’m a wealthy man’s son.”

    Like to Party — Burna Boy

    At a time when mainstream music’s tempo was hyper-fast and the fashion of the musician stars was mostly checked shirts, branded tees, jeans, and large sunglasses, Burna Boy arrived in Versace shades and shirts, unbuttoned and chest bare. He was ready to party and take the music slow. It is always a certified party starter at anytime.

    Ojuelegba — Wizkid

    Ojuelegba is a bustling place in Lagos Mainland. It’s where Wizkid grew up, honed his musical talent and recorded his first songs. It’s only right that he sings about it and his experiences there. This song is also one of the earliest Afrobeats crossovers. Its remix features Skepta and Drake.

    If — Davido

    There are not many Afrobeats songs that’re certified diamond by the US’s Recording Industry Association of America. Davido’s “If” is one. “If I tell you say I love you o / My money, my body na your own o, baby / 30 billion for the account o” is hall-of-fame worthy. Davido courts and assures his babe of his loyalty to her, with some cash to support. Love is sweeter when money enters.

    Ye — Burna Boy

    One of the biggest songs on Burna Boy’s Outside album (2016) is “Ye.” The song was popping around when Kanye West changed his name to Ye and released an album. The searches for America’s Ye album resulted in the Burna Boy song, and most ended up playing it. Confused Americans kept tweeting they found the wrong Ye, but they loved what they heard. It was up from there.

    A jam about Nigerian daily struggles and aspirations that also makes parties fun.

    Essence — Wizkid feat. Tems

    Wizkid collaborated with Tems to create a song. The result is “Essence,” a Grammy-nominated song. No lead single for the Made in Lagos album would have been better. It’s a love song. Both singers hold the position of a lover, singing of commitment and possibly a lifelong affair. Thanks to the success of this song and her preparation to meet opportunities, Tems has gone on to be a global star and is now a solo Grammy-nominated artist. 

    UNAVAILABLE — Davido feat. Musa Keys

    You can take this song and play it as a response to almost any situation you don’t want to be in or any person you don’t want in your presence. It features a South African singer and producer. When you do this song, don’t forget to do the dance—you have to go all the way.

    Last Last — Burna Boy

    Burna Boy sang his heart out in “Last Last” which he released after his breakup with Stefflon Don. When the pain wouldn’t go away quickly, igbeaux and shayo numbed it. Aside from the sweet melody, another beauty of this song is its acceptance worldwide—one of 2023’s biggest songs.

    B. D’OR — Burna featuring Wizkid

    Wiz and Burna linked up to throw a party on “B. D’OR” (meaning “Balloon D’or”), the biggest award given to the best international footballer of the year. It’s their interpretation of being the best acts of the year. The only issue here is: only one person goes home with the Balloon D’or. You can give the award to whoever you like at the end of the playlist.

    PS: Can they put their BS aside and do something together? We can only live in hope.

    Anyway, the playlist is here:

  • November just started, and you know what that means – the annual challenge to keep it zipped, literally. No Nut November, the internet’s favourite abstinence movement, is back.

    To help you power through those tempting moments, we’ve curated the ultimate playlist. These 10 Afrobeats bops, carefully selected to keep your mind focused and your resolve strong, will be your auditory guardian angels.

    If You Ask Me — Omawumi

    This is a soulful, conscious song about child sexual abuse, but it works for No Nut November. This one goes out to everyone who uses what’s between their legs to hurt others and their community. Do us a favour; keep your thing to yourself.

    Gobe — Davido

    You see, Davido doesn’t fool himself. He sings that there’s a strong sexual tension in the air, but he’s ready to wait. He’s a patient man. Davido sings, “Good come those who wait.” If your babe says till December, my dear, you’ll have to make patience a virtue.

    No Kissing Baby – Patoranking feat. Sarkodie

    Patoranking isn’t here for only sexual relations; he’s all about giving and receiving the fullness of love. He sings: “If you no give, I no get take o.” Then, in the hook, “No kissing, baby, no touching, baby.” This is a man who will carry out a successful NNN. Be like him.

    Natural Something — Sound Sultan

    Do you know that spending lavishly on someone you like sincerely can be more pleasurable than a coitus meet-and-greet? No one needs a nut when there’s money to spend their time spending.

    No Touching — Guchi

    “Shey if I say no touching, shey you love me like that?”, Guchi asks in this song. There’s no better song to build boundaries and erect restrictions of urges this November than No Touching.

    Ladi — Phyno & Olamide feat. Lil Kesh

    These grown men sing about their dislike for eating it. They don’t care about their partner’s nuts. Anyone who moves like this doesn’t deserve to get some, either. Ojoro cancel ojoro. 

    Wait for Me — Johnny Drille

    Johnny Drille goes away for a bit, and he asks his lover to wait for him. He earnestly asks for her dedication to their love while he’s away. If you find someone that does the same for you, hold them tight.

    Goodbye — Ayra Starr feat. Asake

    Hugging a pillow is better than accepting disrespect in the name of having a partner or getting nuts. This is what Arya is telling us in this song. Listen.

    Space — Tay Iwar feat. Cruel Santino and Preyé

    This may sound like a heartbreak song to some of you, but see it this way: If your babe says No Nut November isn’t for them, but you’re observing it, tell them to give you space for a moment. If they’re for you, they’ll wait for you.

    by now — CKay

    This song is a cry of a man who’s been patient because he got the promise of sex. Are you like Ckay in this song? Or are you just like the one making him do this shalaye? Here’s your anthem.

    Listen here:

  • My introduction to older artists and their music happens in two stages: a profile check on streaming platforms and a Google search of their unavailable songs. My search for Onyeka Onwenu’s collaborations with King Sunny Ade gave way to digging through her discography. Initially, I was there for the music, but the candour of her album arts fascinated me until they became one with the music.

    On the cover art of “For the Love of You” (1982), her debut album, she was slender, and pale. Her hair was black and long. She was bejewelled. Her purple eyeshadow blended with her skin. She had an elegant poise and brightly faced the camera—she had something to look forward to—perhaps, a blossoming journalism career and decades of celebrity reverence. The album was the seed of her blossom. Her vocals pressed on vinyl, audio bites of funk, pop, soul, and flattering love. It was the boogie-down era. The then-American mainstream sound was impactful. But Onye Ga Agba Ewu, the standout track, in my opinion, is a good time reverie; the old Enugu town must have bopped to it. From it, Onyeka Onwenu, the singer-songwriter, ascended.

    By the time her sophomore “Endless Life” came out in 1982, she was deep in her journalism bag at the Nigerian Television Authority (NTA), and her approach shifted toward human angst. Her appearance changed a bit. Her hair was cut short but full and shiny like she had all the time in the world with her comb and pomade. She gazed upward, musing and focused.

    Unlike the multitudes of Nigerian Gen Xers and millennials who have memories tied to Onyeka’s hits like One Love, You and I, and Iyogoyo, my deepest reflection has been found, for some time now, in the titular Endless Life, which I consider her most reflective track. It’s a soulful song that I learned from to accept the inevitability of life, the suckling of growth and failure.

    The ‘80s in Nigeria was a bout of coup d’états, a failing economy, skyrocking of crime rate and consequently non-existent nightlife. The bleak optimism was carried almost entirely by the socially conscious music of that era in which Onyeka Onwenu was a star. The trend of socially conscious music trickled down into the following decades, bemoaning almost the sentiments of our heroes’ past. Little wonder, Onyeka’s ‘90s music releases focused on the need for an attitudinal change in Nigeria.

    At the height of Onyeka Onwenu’s powers, the media called her the Elegant Stallion, promoted through the ranks of musical equestrians in what was the rise of digital Nigerian music. Her life evolved around light, camera and action. She was a multi-hyphenate artist acknowledged for making music, involvement in human and social activism, and TV appearances as an actor, journalist, and reality show judge. Passion led her.

    In the late hours of July 29, 2024, Onyeka Onwenu graced a birthday party where she ended her music performance with a dazzle of her hit One Love (Keep Us Together). It was a high moment that soon became an unforgettable sad one. The songbird died doing music, a tragic slump after a performance and some gulps of water. She lived a full life and an indelible last moment—a moment many will consider poetic in reverence to her demise while she did what she loved dearly.

    It’s hard not to think about Quincy Jones’ words: “Music and water will be the last things to leave our planet.” Onyeka Onwenu, the Elegant Stallion, has gone before these elements, and she now lives on through her tunes. Drink more water and live a full life, kids. It’s the Onyeka way.

  • A new year means a new direction for many believers. 

    For those who’ve set goals to express more gratitude, Spotify has crafted playlists with songs that express the essence of salvation. If you’re trying to be more prayerful, these playlists will ignite the prayer warrior in you too.

    Praise and Worship

    This playlist is 80 songs long, featuring Nigerian artists like Kent Edunjobi, South Africa’s Christina Shusho and the U.S’s Maverick City Music. A perfect balance of home and abroad gospel jams.

    On Bended Knees

    This playlist is long enough to take you through a five-hour prayer session. May the good Lord answer our prayers.

    Aseda

    Before the Yorùbá in you translates “aseda” to mean “creator”, know that it also means “gratitude” in Twi, a language spoken by the Ashanti in Ghana. That’s what this playlist is about. It’s made for you if you’re looking to explore gospel music from the Gold Coast.

    Redeemed

    A mixed all-African playlist featuring gospel artists like Lanre Teriba (Nigeria) and Malcom Rue (Uganda) and secular acts like Mr Eazi (Nigeria) and Khaligraph Jones (Kenya). This playlist recognises the faith-based perspectives of everyone; it’s a proper deception of “everyone is welcome to the fold.”

    Rediscover 12 Nigerian Gospel Songs that Shaped Our Childhood

  • I had no more tears left to cry when I lost my mum four years ago. Prior to her demise, she’d been bedridden for a year and even though I hoped otherwise, I knew the end was near. Those days at the Lagos University Teaching Hospital (LUTH), she lost her speech, and the only way we could connect was through music.

    An Afrobeat Playlist to Help You Navigate Grief

    We had a routine. I’d plug my pods in her ears, select a song and watch her attempt to hum the familiar gospel melodies and trending afrobeats songs. It was both beautiful and sad. 

    She died a month after we started this routine, and I found myself trying to relive the memories we shared during her final moments. Music was the only thing that helped, but not just any music. Gospel was too solemn, foreign music felt, well, foreign to my emotions. 

    And afrobeats was noisy, until I finally found these particular songs that gave me the familiar sensation I wanted.

    “If I Die” by Dagrin

    Dagrin’s “If I Die” easily ranks as one of the most controversial Nigerian songs, and the reason isn’t far-fetched. Who records a track about their own death weeks before dying? With lyrics like “If I die, If I die, make you no cry for me. E jen simi, e jor kejen mi,” I’ve never related more, for someone whose mum was ready to embrace death at the time she left.

    “Olumoranti” by Niyola

    When Niyola released this song in 2020, I was compelled to use it on a compilation of my mum’s photos and videos, even though it wasn’t her death anniversary. The profound lyrics found melodious ways to say things I didn’t know I wanted to say.

    “I pray, I pray, I don’t stop thinking about you. I know you’ll surely wait for me. You’re still here inside my heart”. The very thought of forgetting my mother because of death? No, death shouldn’t have that much power over anyone. And Niyola captures this so perfectly well in “Olumoranti”.

    “Olorun Mi” by Tiwa Savage

    Death was a stranger to me when Tiwa Savage recorded a tribute to fallen stars and heroes in 2013. I knew it was a sad song, I just didn’t know how sad. Six years later, her lyrics “Olorun mi gba adura mi. When you take all the ones we love. We’ll carry on, and it won’t be long. I pray to be strong. Olorun mi gba adura mi oh” became a mantra that made moving on a little easier.

    “Ashes” by M.I Abaga

    Rap was the last thing I wanted to hear while I was grieving, but I discovered M.I’s tribute to the Aluu 4, the Port Harcourt students brutally murdered by the mob in a local community in 2012. The rapper used music as a tool to express hurt and speak against societal ills. Lines like, “The reason I’m gone. Let it be told, let it be known and turned into a song” resonated deeply with me.

    “Legends Can Never Die” by Davido

    “LCND” was a tribute to the singer’s late son, Ifeanyi, and other friends he’s lost over the years. He opens the track with the reflective line, “Make I tell you something, life is not fair,” and goes on to describe his loved ones as legends who are shooting stars in the sky. While the track might have been a bit too much at the early stages of grief, it was a favourite because it came out when I’d fully come to terms with my mum’s passing. It’s the perfect afrobeat song for celebrating the lives of those who’ve passed.

    “Dad’s Song” by Teni

    One of the hardest things about losing a parent at a young age is coming to terms with the fact that they’ll never see you become more. This was Teni’s state of mind when she recorded “Dad’s Song” in 2021. She opens the track with notable career achievements she made in her dad’s absence and how he’d have wished to witness it all. The singer’s pain was all too familiar. Like her, my mum left way too early, missing out on important milestones that were only possible because of how much she sacrificed.

    With lines like “Eru o bami, you’re standing by me.  Eru o bami, you’re always next to me”, this song offers reassurance that our lost ones will always watch over us even though they’re no longer there.

  • These days, “Afrobeats to the world” has moved from a saying to an actual movement. Nigerian artists like Wizkid, Burna Boy, Fireboy DML and Tems are topping the charts and having fun with stars like Drake, Rihanna and Beyoncé. But while the world has taken notice of Afropop, it wasn’t always like this. Thinking back to when I fell back in love with Nigerian music thanks to Tay Iwar’s 2013 song The Box, I decided to talk to other Nigerians about the time they finally realised that Nigerian music is the shit. 

    “Listening to Davido’s Fall for the first time in an Atlanta club changed everything for me”

    — Koye

    As a second-generation Nigerian in the US, I never really connected with Nigerian music. My family raised me on the classics like Sunny Ade and Ebenezer Obey, but in trying to fit in with white kids, my taste shifted to rock and metal as I got older. In 2017, I eventually moved to Atlanta — a predominantly black city — and that’s how I got re-introduced to Nigerian music. 

    On a night out with some of my co-workers, I heard Davido’s Fall for the first time. To see everyone in the club, including non-Nigerians and non-blacks singing along to this Nigerian song changed everything. I still love rock and heavy metal, but that hasn’t stopped me from knowing all the words to Davido’s Fall and Jowo. 

    “I didn’t connect to female Nigerian artists until I saw the video for Kele Kele Love by Tiwa Savage”

    — Nicole 

    Before seeing the video for Tiwa Savage’s Kele Kele Love in 2010, I just didn’t feel like Nigerian women made music for girls like me. I love and respect all the women that were making music at the time, but seeing that video and hearing that song made me go, “Whoa! That’s a no-nonsense, sexy, bad bitch like me.” 

    She wasn’t afraid to be sexy and to sing about whatever she felt like — I loved that. She blazed the trail for all the new girls and that’s on period. 

    “I don’t think I remember life before Asa’s Awe”

    — Lolu

    I know it’s cliché, but Asa’s Awe changed my life. Before I listened to Asa’s self-titled album, my idea of Nigerian music was songs I could dance to in the club and not songs I could listen to for great storytelling. And to be honest, it was fine that way. It wasn’t until I went on a road trip with my brother from Lagos to Ibadan and he played that album over and over again that it clicked for me. It wasn’t just the melodies or vocals for me; it was the deep, rich stories she told with every word and every sound. Now I listen to other artists like Bez, Lindsey Abudei and The Cavemen (even though I don’t get what they’re saying, I feel super connected to the music. 

    By the way, Awe is the reason I started writing short stories. So when I say that song changed my life, I mean it. 

    RECOMMENDED: Thriving and Killing It: 12 Times Nigerian Women in Music Made History

    “Cruel Santino, Amaarae and Shane Eagle made something magical with Rapid Fire”

    — Hassan 

    I didn’t even know alté was a thing until my friend dragged me out for a show in 2018 and Cruel Santino and his crew came out to perform Rapid Fire. My memory of it is the feeling that came with seeing the whole place turn into a mosh pit of people jumping and screaming at the top of their lungs. For someone indifferent to Nigerian music at the time, just seeing all of this sent shivers down my spine. Every time I listen to Santino’s music now, it just takes me back to that moment.

    I wasn’t into Nigerian music before because of what I was hearing on the radio, but Cruel Santino introduced me to a new type of Nigerian sound. 

    “Niniola’s Maradona changed the game for me”

    — Uchenna

    I remember hearing Niniola’s Maradona for the first time and just knowing that this song was going to be the sound of the future. And lowkey, I was right. It was around the time I was falling in love with South African club sounds from artists like Bucie and Black Coffee, so it just worked perfectly. Niniola and Sarz took a huge risk with songs like that and now we have a lot of artists making songs like Maradona. It wasn’t like I didn’t like Nigerian music, I just didn’t care until I heard this bop in 2017. 

    “Temi Dollface’s pen game on Pata Pata made me pause, listen and go ’Who is she?”

    — Sammie 

    This chick came, dropped like two hit songs and disappeared. Why? When Pata Pata dropped in 2013, a lot of artists were doing the same thing, using the same producers and adopting the same formula. We didn’t have variety and then this girl came in singing, “Pour me a drink and I’ll tell you a lie. Baby what would you like to hear? That I’m in love with you and all the things you do. You know that wouldn’t be sincere.” 

    Ladies and gentlemen, that’s how you open a song. That is songwriting and the song that made me go, “Oh shit, Nigerian singers dey write o!” 

    ALSO READ: Do Nigeria’s Biggest Artists Really Need the Grammys?