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Nigeria has gotten to a point where it’s almost laughable to live here and have one source of income. Every citizen uses what they have to get what they want. So it comes as no surprise to us that the comedians on this list have taken their love for comedy, merged it with their musical talents, and doubled their hustles.
Chigul
Chigul started her career as a singer called C-Flow. Although she quickly transitioned into comedy, she never dropped her first love, mixing music with comedy and featuring on songs like MI Abaga’s Monkey and Falz’s Karishika.
Nasboi
Nasboi came to the spotlight, mimicking Davido and dropping skits that made us all laugh. But as someone who started his music career signed to Omotola Jalade Ekeinde’s label, he quickly returned to his first love — music. Nasboi dropped his first single, “Lover Boy”, in February 2023 and blew us all away. On the 24th of November, he dropped his second one,Umbrella featuring Wande Coal that’s made it to top ten on Apple’s Top 100: Nigeria chart.
Josh2Funny
Joshua is too funny, no doubt, but he’s also what some might call a musical genius. In 2020, he dropped a remix of his popular Don’t Leave Me challenge with rappers like Vector, Falz, AO and Magnito. He dropped an album in 2022 and still constantly puts out funny covers of popular songs.
Carter Efe
He transitioned from comedy and skitmaking to hitmaking when he dropped Machala in 2022. Although the original Machala, Wizkid, paid the song no mind, it still blew up. Since then, Carter Efe has dropped two more bangers.
Broda Shaggi
If you watched his “Dumebi don carry belle” video one too many times, it shouldn’t come as a surprise to you that Broda Shaggi has always had a penchant for music. He’s since dropped covers of popular songs and just released a song with Pasuma.
Emma OhMyGod
A man of many talents, Emma OhMyGod wields his creativity however he wishes. On some days, he’s an actor. On others, he’s a comedian. On most days, he’s singing original songs and covers with his live band, the OhEmGee band.
Kenny Blaq
While we know him for his stand-up comedy, in which he easily infuses music into his jokes, Kenny Blaq took his vocals to the studio in 2022 and released Je Breakfast. The song samples the line “E don cast… Na everybody go chop breakfast” on Burna Boy’s Last Last and pays homage to the apala genre.
Basketmouth
He started his career as a rapper, forming two rap bands before he ever moved to comedy. So it’s no surprise that after fame, he returned to his first love in 2020 and has since released two albums.
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You may have heard that only musicians who tour eat good. There’s some truth to it, but it’s more feasible for big artists with solid fan-bases and enough hit songs to pull shows and crowds.
If you’re not there yet, you can diversify your strategy and use your brand to make money online.

Live streams
Live streaming has become popular since the COVID pandemic, making musicians become creative by setting up virtual shows, selling tickets and performing online for their fans. Something similar happened at Rolling Loud this year;people who couldn’t be at the festival but wanted to be a part of it paid for Prime Video membership to watch the performances.
Employing this tactic as an artist might help to reach fans outside your location. Even if you’re shy to charge fans and streamers, a virtual tip jar is an option. Anyone God touches their heart will drop something for you.
Streaming site revenue
Get a music distributor to distribute your songs to multiple streaming services and you can turn your streams into money (Nothing for you if you use streaming farms).
Also, scrap free download sites off your plans today.
Digital downloads
If you don’t use digital download sites like Bandcamp and Amazon Music, you can set up your website, upload your digital albums or singles and sell directly to your fans. No label, no middleman, no distro, just you.
Make A Meme Merch sale
Merch can be anything from physical (CDs, vinyls, t-shirts, hats, hoodies, stickers, et.) to digital NFTs, sheet music, stem files, etc.). You can package and put up items like for sale on a website.
Fan subscriptions
With a subscription option on your website, fans can subscribe and pay a monthly fee to access exclusive content like behind the scenes or rare footage, early access to new music, merch discount offers, etc. Charge a reasonable fee sha.
YouTube channel
If your music is used in a YouTube video that has an ad, YouTube ensures part of that ad money touches your hand because you’re the song’s rightful holder. You can also make money from the videos on your YouTube channel, but it depends on your subscribers and view numbers. The more, the merrier.
Social video monetisation
When your music is used in a video content on social media services like Facebook, TikTok and IG, some of it can reach you too. You just have to make sure you’ve enabled that with your distro.
Online music lessons
Whether you’re selling educational music materials (e-books, videos, audiobooks, etc) online to people who want to learn, or teaching music lessons through Google Meet or already-made video lessons — there’s money to be made. Just share great knowledge and unique perspectives.
Take a break from thinking about money alone. Come out to Burning Ram on Saturday where the biggest meat and grill party will happen. Tickets are still selling here.
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A number of new recording and performing artists don’t know much about the business when they get into the music industry. Reminds me of when Asake said he signed his YBNL contract without thinking twice or even showing a lawyer.
Mr. Money may be lucky to get a transparent deal. But many don’t, and their ignorance exposes them to being victims of bad contracts, users and vultures.
First of all, music making isn’t music business
Making music is only a part of a musician’s job. Before recording starts, the business is already in effect. This can be observed in how artist’s respond to trends or cater to what listeners want.
The business aspect of the industry also affects how collaborations work. When an artist thinks or say something like, “what will I gain working with this artist?” That’s the business of music manifesting.
Post-recording and post-mix, conversations about rollout plans, locations to focus on and more come up. That’s business. It’s why music is called a product, and you know a top quality and well-marketed product sells.
Also, an artist can focus on the art if they can afford a team that can handle the business.
If you’ve established that the music business is as important as the music creation, it’s high time you knew some terms and their meanings (you’ll hear and see them often).
Split sheet
This is a formal agreement made by contributors of a song, i.e., the performer(s), music producer(s), songwriter(s), collaborator(s). This sheet contains their names, phone numbers, emails, dates, roles and contributions to the song. The split sheet is important because every contributor’s roles are marked out, and it makes it easier for everyone to get credited and paid.
More importantly, you have rights to negotiate terms. Before you put your pen on the dotted lines and sign, keep a good entertainment lawyer around.
DocHub Copyright
Music copyright proves your legal ownership of a music recording or sound. When you copyright your music legally, another person can’t recreate it and claim it’s theirs.
Remember when Dammy Krane said he originally made and owned Wizkid’s Baba Nla? Or when one producer said Olamide stole Don’t Stop from him and D’Banj? They couldn’t prove these allegations because there was no evidence.

Music royalties
Music royalties are the payment entitled to songwriters, composers, AND recording artists of a song. The people are known as the right holders.
Gbera, go collect your money (Kiss Daniel’s voice).
Publishing rights
A song’s composition is under the publishing rights. By composition, I mean the lyrics, chords and melodies laid in a song.
The entitled owner of a publishing right owns the performance (on TV or live events) and mechanical royalties (the monetisation of digital or physical reproduction of your copyrighted work).
Masters
This is the original recording of a musical composition. The recording artist that owns a master has rights to the record sales and streaming royalties. If they’re signed, the label get a piece. Okay?
360 deal
This is an exclusive all-round deal that allows the record company that signs you to enjoy some percentages of your earnings from all your revenue streams.
Don’t sign away too much power then wonder later that your label has hands in all your pockets.
Allow songwriting
Don’t beat up an artist (except rappers 💀) for paying another person to write songs from them. Not every great vocalist is a great songwriter. Also, songwriting is a real job and people get hired, paid and get credited for it.
In addition, our music industry should fix up. We need a Nigerian songwriters association.
Beat licensing
Beat licensing is when a producer creates a beat and uploads it to a beat store. Anyone can buy it and use it for their own records. In exchange for that, the producer gives you a licensing agreement that authorises you to use as you like.
Now the licensing you get can be exclusive: means you have full rights to the beats. No limitation or expiration.
The non-exclusive license has expiration and puts limitations on views, plays and streams. So pick your option.
Sampling
Nigerian music fans criticise artists so much for sampling that one would think it’s a crime. But it’s not — it’s just a creative way of adding a sound or music recording into another sound or music recording, thus creating a distinct sound. Sometimes it’s a vocal or kick in a song that’s layered on another song.
It’s neither a crime for Burna Boy to sample Fela in his music, nor for Portable to sample Bola Are. As long as they get permission from the song owner(s) and follow all due processes, it’s cool. Sample police.
Music distribution
This is the process of getting music from the artist to making it accessible to the audience. Whether getting the physical copies to Alaba market or uploading to all streaming sites — this is music distribution.

Another thing to know is the Burning Ram Meat Festival that’s happening in Lagos on November 11th. Get your ticket here and come have the best meat and grill experience.
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It’s easy for albums to easily get lost in the pile of the singles 2023 has been choked with. So we went digging into the Nigerian music released so far to discover and rediscover the bodies of work women have blessed us with this year.
KOLLIDE – Kold AF
On KOLLIDE, Kold AF’s vocabulary oozes of admirable bluntness and confidence. They hold stead and still leave one open enough to admit that “I’m a hard guy, but I hurt sometimes too.” The EP offers six songs that explore romance, being broke and keeping heart on the sleeve.
Kold AF is an amazing singer and overall, KOLLIDE is clear afropop and r&b fusion. With a platform like Aristokrats Records (Burna Boy, LeriQ, Mojeed, Novemba) behind her, it’s only up. We’re rooting for her.
Heaven Has Come – TY Bello
TY Bello invited other artists she loves together on Heaven Has Come. Listening to the album comes with a feeling that suggests that it’s more than just an album of MP3s and WAV. files — it’s transcendental experiences of worship and praise. The production is excellent, catchy and modern, but won’t make you lose your home training and start throwing legwork anyhow.
Grey Choir – Christtie Jay
Christtie as Jay is an innate storyteller and spoken word artist. Her newly-released EP, Grey Choir, beautifully blends spoken word and music,explores self-love, sexuality, relationships, melancholy, grief, and japa themes.
The sonic palette of the project is just as broad as the array of emotions and topics she explores. On Story Story, guest artist Mo’Believe’s book builds a commentary around Lagos-living.One could almost hear Christtie Jay burst into tears on Hello/Goodbye, the track before the last. Poetry-music projects require attentiveness, including Grey Choir.But you never know what the next track will sound like. Every song is unique and captivating.
Angel On The Run – Rukmani
Rukmani’s EPis Pop-inflected R&B at its finest. Angel On The Run opens with guitar strings that usher in Rukmani. From the first track, Purpose, a song about reconciling past mistakes, to the seventh track, Softies Vibes, a vulnerable expression of self-love, Rukmani’s silky voice keeps calling to her listener.
Angel On The Run is the music to get cosy to, especially when emotional waves crash over you.
Winny – WINNY
On her self-titled debut music project, Winny, a Nigerian reggae artist, turns her love tales and heartaches into songs. Winny’s voice can quickly become a rude gyal’s weapon, full-blasting in patois. At the same speed, she can be very soft and begs a lover not to leave. WINNY is an exciting body of work; the seven tracks promises that the Nigerian music scene will soon become very fluid and accessible to all styles and genre
Anger Management – Bloody Civilian
Beyond being a super producer and sound engineer, Bloody Civilian isn’t your average artist. Check her collaborative effort with Native Records and Marvel’s Black Panther. Even her name. Then check her Anger Management EP. But don’t stop there — dive into the music project and enjoy her brilliant brand of storytelling that’s rare in our popular music scene. Parental supervision, poke-nosing family members, and anti-misogyny are some of the stories Bloody Civilian lays bare in the project. If you’re not jamming to this for enjoyment, don’t forget it anytime you fume angry.
Kaleidoscope – Lindsey Abudei
In Nigeria, where niché music isn’t as widely accepted, Lindsey Abudei continues to polish her brand of Neo-soul, alternative R&B. Her new project, Kaleidoscope, is recent proof.
The music on Kaleidoscope is cinematic. Asides from her lyricism, the drums are softly tapping, guitar strings jumping and giving Jazz vibes. On days that emotions are high and running, or there’s just stillness — Lindsey’s got us.
Also, film production companies and theatres need to holla at her and cut her cheques for movie soundtracks ASAP.
dear diary – RnB Princess
In five songs, RnB Princess lifts the things that usually stay in a diary to the recording studio,spilling her heart out about unreturned love, jilt and the relationship woes that trouble a Gen-Z lady. The EP features new R&B babes Tsuni and Keziah Mallam — one can liken their collaboration to a girl’s night out, in group support of a heartbroken friend that shouldn’t be left by her pain or loneliness. Nothing is actually hotter than women supporting women.
Elevated – Mercy Chinwo
In just six tracks, Mercy Chinwo performs worship songs that’ll put you in thanksgiving mode and waving your hands in the air. But these are not only church songs; they are personal testimonies and declarations many Gospel or Christian music lovers will passionately sing along to. The instrumentals are vibrant, exciting and comforting — she beautifully sings of her belief and spirituality.
Mercy Chinwo isn’t one of Africa’s most prominent gospel artists for nothing.
Lifesize Teddy – Lifesize Teddy
At a time we can count Nigerian female mainstream rappers on one palm, Lifesize Teddy shows up as Mavin’s last signee with her titular EP. She raps and sings well in English and Pidgin English. The PH dialects you hear in her lines are pointers to her home-base, City of Garden. Get in tune with Teddy.
Pan African Rockstar – Lady Donli
After a four-year album break, Lady Donli’s sophomore album, Pan African Rockstar comes out and gets on our rotation,blasting funk, percussion and electric guitars.
Many considered her first album Enjoy Your Life a classic, and her latest has materials and the making of a classic, too. We’ll give it some time, but this is an album we won’t stop jamming for a while.
All of Eniolaa – Eniolaa
She’s a singer who does afropop and other sounds like Amapiano and R&B. Her EP combines these sounds with her girly side and street consciousness. When not moulding Arya Starr and Fave on King Kong, she’s a neo-Fuji star like Asake on Iyele or a blue c-note, worried and gloomy, on Holy Days.
Lagos 101 – Bella Alubo
Although Bella Alubo came from Jos, she’s handing us a guide to navigate Lagos.
The growth of Bella Alubo has been interesting to see. She went from being a straight-up rapper to becoming an all-around artist. Lagos 101 is a commendable effort. It may be the direction she feels is next for her career, but we still struggle to connect to the music.
In Lagos 101, she’s singing about having fun and not rushing into love. Even though we found some details about the widespread belief that finding love in Lagos might be the hardest; either you’re the hunter or end up the target.

More – Grace Idowu
Grace Idowu is a gospel artist with a commanding voice. One vocal cord moves, and it grabs your attention.
More, her second body of work, is a choir-backed seven-track that focuses on eulogising God, strengthening her relationship with the spiritual being and speaking positively into existence. The beats are very hard, but Grace Idowu even goes harder with her rap verse on Joy, our favourite track on the EP. GIf there are love songs to God, this is what they sound like.
Listen to them:
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We have English-speaking rappers people often mistake for “hardcore rappers”, and Ibile United — an umbrella term for local Yoruba rappers. Although some of them mix some pidgin here and there, they’re not the same as rappers who strictly rap in Pidgin. Also, these pidgin rappers don’t enjoy as much attention as their counterparts expressing through other tongues.
This is a list of seven hard Hip-Hop artists who rap in Pidgin. You should be rinsing and repeating their work.
Erigga
Erigga, a.k.a. Paper Boi, is highly revered for spitting in Nigerian pidgin, telling relatable stories from the streets of Warri. When Erigga flows on soulful Hip-Hop beats and reflects on his life or talks about the ills of the music industry, he’s a different beast. Please start with the intro, Industry, and Death Bed on his Okorowanta album.
DanDizzy
DanDizzy,a Port-Harcourt-born artist, became famous for his impeccable freestyle ability.
Get a music box and play DanDizzy any instrumental, and he’s ready to go on and on. It’s interesting how he switches flows and makes bars out of anything in pure pidgin and PH slang.
His studio releases include Who Goes Der!, Denge Pose feat. BadBoyTimz and Yawa feat. Skales. DanDizzy sings, too, a lover at heart on Garni.
ODC
If soulful, Boombap and Lo-fi raps is your taste, ODC is the guy you turn to. His hard-knocking delivery and classic Hip-Hop samples, but the stories come from the gritty streets of Surulere.
ODC kicks knowledge, lifelines, hard punchlines, and puns that make you go “Ugh”. Yes, that’s how crazy he goes with the bars. He has The Illest series (three volumes) with South-African-based Nigerian producer MHP. They are a perfect pair because their styles are complimentary.
Abstraktt
If you see Abstraktt, you’ll think he’s never stepped foot on Lagos mainland or heard of Ikorodu. But when he drops his pidgin lamba, a big surprise hits you. Trap, drill, and afro-swing are his usual play stations.
[ad][/ad] Bops like 2Fresh, Guyman, and Allow Me to Rap will convince you on the first listen due to their relatability and fun choruses. When you see Abstrakkt outside, hail him as one of the unique rappers out right now instead of confusing him for DJ Consequence — he remarked on No Wahala.
Knowledge (of Ajebo Hustlers)
Knowledge weaves words together in pidgin and Port-Harcourt dialects, handing you vivid imagery of his socio-political thoughts, relationship issues, and his raunchy side. He’s also comical, which makes his raps more digestible. Most of his verses are on songs and projects like Kpos Lifestyle Volume 1 and Bad Boy Etiquette with his fellow Ajebo Hustler, Piego.
hyph!
hyph! has a mystical personality; there’s no face to the brand. hyph! just drops the music. He spills his mind on moody beats that sound comforting, especially after a weary day. hyph! has three tapes to his name — Bicycle Lane, blue+black and [h.i.M] on which he showcases his production skills and tells stories of his unemployment, the 2020 lockdown, cash chasing and lost faith.
His music is currently available on Soundcloud.

Reeplay
Straight out of Abuja, Reeplay has made a name for himself as one of the distinctive spitters in the federal capital’s music scene. Although he’s humourous, Reeplay raps in an aggressive way that amuses and keeps the listener engaged — every bar is either a claim or a brag or just a funny comparison of something. You want to hear what more he has to say. In songs like Comot for Sanko, Na Now, Not Sorry and Who Is Reeplay, he details his time in jail and the tough streets of the Buj.
Yo, ICYMI, our Burning Ram Fest is coming soon.

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Davido and the 30BG are eating good after the afrobeats star scattered the internet with his “old cat, new cat” comment in a Brut interview.
Now, music fans and critics are riled up; everyone is making a strong case for their favourites. Amid the chaos, our own question is, where are these “cats” who once had our attention with their music?
Ayo Jay
Source: Instagram (@iamayojay)
Wasn’t he going to be our next Justin Bieber? He crawled so that Fireboy, Omah Lay and the new “cats” could walk. But, the last we heard of Ayo Jay was a freestyle to Burna Boy’s Last Last last September.
W4
Source: Instagram (@w4shaaa)
You just had to be there in the 2000s when W4’s Kontrol had everyone in a chokehold. The music aside, his eccentric style made us think we’d finally gotten our 21st-century Fela Kuti. Sadly, it was all too short-lived. W4 fizzled out of the scene just as quickly as he grabbed our attention. He’s had multiple releases post-Kontrol, but none quite lived up to it.
Mo’Cheddah
Source: Instagram (@mocheddah)
She should be up there doing queen-level shit with Tiwa Savage, but these wishes, quite sadly, are not horses. Mo’Cheddah’s 2010 debut album, Franchise Celebrity, is a cocktail of bangers that’ll still beat any good music lover into shape on the dance floor in 2023. These days, she’s still in our faces but her interests have shifted to lifestyle content. We love it for her sha.
Maye Hunta
Source: Instagram (@mayehunta)
The year was 2009. Ladies clutching their pearls and men shamelessly attempting falsetto runs — this was the hold Maye Hunta’s Ekaette had on Nigerian music lovers. Finally, we’d gotten our own Usher— or so we thought. 14 years later, Hunta still makes music, but does anyone care?
Di’Ja
Source: Instagram (@aphrodija)
The Gen-Zs will probably roll their eyes to the heavens if an Awww, Looku Looku or Take Kiss plays at the club today — and we won’t judge them. Di’Ja was poised to take over as Mavin’s first lady after Tiwa but Mama Jamjam clearly left big shoes to fill. And Di’Ja is hardly part of the music conversation these days…
D’Prince
Source: Instagram (@dprincemavin)
This cat might be missing on the front-end of things, but we’re glad D’Prince blessed us with the goodness that’s Rema and Ruger.
Kayswitch
Source: Instagram (@therealkayswitch)
Hard to tell if he’s still in the business of music, but we can’t deny that Kayswitch had a good run with the good ol’ Mo’Hits crew; Booty Call and Pere are classic hits. He promised his fans new music last November, but there’s a lot of work to be done if he wants to keep up with the current industry.
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My Bro is a bi-weekly Zikoko series that interrogates and celebrates male friendships of different forms.
A mutual friend brought Rhaffy and Dwin, the Stoic to work with them in a recording studio in 2018. They quickly bonded, and their work relationship has since blossomed into a friendship.
Let’s start from the beginning. When and how did you guys meet?
Dwin: We met at a recording studio in Victoria Island through Otims, a mutual friend who wanted to work with me after my first album dropped. Rhaffy was going to produce it. That night, we worked on a song and connected so well.
Rhaffy: I think I still have that song somewhere on my Drive.
First impressions of each other?
Rhaffy: He was open-minded. You know, sometimes, when you work with someone for the first time, they want to be in their space and do their own thing, but it was different with Dwin. He was calm; he didn’t even seem like an artist that had already dropped a body of work. Dwin’s personality is an interesting one — when you meet him, you get this feeling of “Oh, let’s keep this going.”
Dwin: In this music business, you can work with someone once and never do it again. But that wasn’t the case with Rhaffy. We understood each other. I like how he works too. We began creating and things were coming together. At that point, I knew Rhaffy was malleable, just like me.
Did you know each other’s musical work before you met?
Rhaffy: Nahh, that was the first time actually.
Dwin: It was the first time. But wait, Rhaffy, you’ve produced on Otims’ project, yeah?
Rhaffy: All Otims’ songs from back then actually.
Dwin: So before Otims hit me up about collaboration, I had listened to his EP and I really liked what I heard. The production was incredible. I felt it’s something I’d also like to explore in my music.
What if the other person wasn’t feeling your sound?
Rhaffy: I didn’t feel like that. Otims already told me Dwin was going to drop by. Otims is a talented guy, and I believe anyone he recommends would be equally talented. The synergy from the onset was positive.
Dwin: Yeah, exactly. Nothing like that. I came through to the studio, Rhaffy played an instrumental, and we started vibing. We got into the song pretty much immediately.
Rhaffy: I remember, after the session, I had to go listen to Dwin’s project, and I was like, “Wow”.
How exactly did you go from working together to becoming friends?
Rhaffy: It was immediate. The first song we worked on turned out to be a big one. So we knew we had to come together to make more music.
Dwin: We’d link up to work on some great ideas we already had, then finish up and start new ones in the studio. This happened week after week, session after session. As we made the music, the friendship bond got stronger.
Rhaffy: Prior to our linkups, we’d talk about what we’d do and stuff like that.
Dwin: I was working a 9-5 that time. So sometimes I’d go to the studio from work on Fridays and go back home on Saturday mornings. We did that throughout 2018 and 2019.
In my songs, I mostly talk about life and the things that affect us. While recording, we’d talk about our lives and the things we want to do. We’re aligned in terms of vision and how big we’re trying to be.
Rhaffy: It’s beyond music now. In fact, music isn’t the top two or three of what connects us right now.
What are the top two?
Rhaffy: Life and money.
Dwin: Yes, because this shit is also a business.
We’re building a community as well; bringing people together from our different circles and sourcing opportunities. We’re grabbing all we can from every side.
Do you do music full-time now?
Dwin: Yeah, that’s our day job. That’s our major.
How’s that going in this Buhari times turned agbado era?
Dwin: It’s not easy. But we’re so sure about the music. Four years ago, the vision wasn’t as clear. Now, we’re just biding time. Soon enough, we hope to be out there.
People come and go, but we believe our music connects with multiple generations on a personal level. We believe it can touch lives, and we know the more people it speaks to, the higher it will go.
Rhaffy: So that’s it. That’s what we’re doing.
Dwin: There’s a plan to do a show in Lagos soon. We’ve been rehearsing for that. There’s also a potential show in Dakar that we’re still trying to talk to the organisers about.
Rhaffy: Yeah, we’re trying to be out there.
Dwin: You’ll see us in shows very soon. If the plans fall through, Rhaffy and I will be making music with a couple of musician-friends of ours in whatever city you might happen to catch us.
Dwin, can you remember a time Rhaffy came through for you?
Dwin: Many times. I don’t think I can pick one. It started very early in the friendship; like when I’d need a quick mix for a song. Even when payment wasn’t ready, he’d do it. Also, it’s the little things that friends do. From seeking advice on certain things to needing a place to crash sometimes.
What about you, Rhaffy?
Rhaffy: Dwin hooks me up with great gigs. If I had other friends that could give me those kinds of gigs, they might ask for 10% or 20%.
Like he said, “It’s the little things that friends do.” If I have to start writing them down, it’s going to cover a whole 60 leaves note.
Do you guys fight at all?
Rhaffy: If we get into fights, it’s because of the music. I won’t even call them fights or disagreements. We just share different opinions sometimes. But we’re always open-minded.
Dwin: If someone wants to try something new, we talk about it and make suggestions. If it still doesn’t work, or you can’t talk about it, no issues.
Who do you think is the most emotional?
Rhaffy: I’m not emotional. I’m always direct.
Dwin: I think I’m more emotional. Rhaffy, though, when he gives compliments, he means it.
Rhaffy: I don’t think we’re emotional people, honestly. We’re only emotional when our songs drop.
Dwin: We just call each other and gush about the music.
Anything you’d like to change about your friendship?
Rhaffy: Nothing. If there’s one thing we both want, it’s to make plenty money.
Dwin: That’s it. There’s nothing to change. We’re aware of our growth. We’ve achieved a lot in the last four years. Imagine what the next few years will look like, especially with the kind of music we’re working on. For example, we just made a record with Ogranya.
Rhaffy: That song is not from this planet, bro. Ogranya is the coolest guy. He was actually cooler than I thought. We played FIFA, I defeated him four or five times. Then after the recording, I was so excited that I allowed him to beat me 10-0. I have to say this because he posted it on his Instagram.
Dwin: Anyway, you’ll hear the song soon. It’s ridiculous.
What’s something you’ve always wanted to tell the other person?
Rhaffy: I always wanted to tell Dwin that he’s the best songwriter in the world. And you need to accept it with your full chest, my brother, because it’s something you shy away from.
Dwin: I need to start saying it randomly.
Rhaffy: You need to officially start saying it, bro. I’m serious. And it’s not just about writing alternative songs. Any genre, you kill it.
Dwin: So here’s the thing about Rhaffy. He has the best ears. Just leave the music to Rhaffy; it doesn’t matter what genre. We did a random spontaneous thing on the rock version of Allez, a song on our new EP, Love Lane. He made the drums sound with his mouth. If you heard it, you wouldn’t know it’s Rhaffy. He has music inside him. I’ve always wanted him to know that. I think the fact that we met is unfair because there’s nothing we set our minds to that we can’t achieve together.
Rhaffy: It’s like having Messi, Suarez and Neymar in one team. We’re like 2014/2015 Barcelona.
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We can never get tired of saying Nigerian artists are the greatest. Alone, they’re killing it. Together? They take us to places our minds could never even fathom.
Which is why when the artists on this list jump on other people’s songs, we’re at the edge of our seats, waiting for where they’ll take us. But other artists be warned, these ones will eat you up on your own songs.
Simi

From Ladipoe to Reminisce to Falz, Simi spares no one, not even Adekunle Gold, the father of her child. She’ll chew you up and spit you out on your own track, and you’ll have no choice but to smile while it’s all happening.
Notable example: We can’t lie. We forgot this song belonged to Boj.
Bnxn fka Buju

Crowned the king of features for a reason, anything Buju touches turns to gold. We don’t know what he puts in these songs. But the second he even coughs on the track, it becomes an instant hit.
Notable example: He opened this song and had us in a chokehold.
Rema

Might be the way he opens his verses, might be the energy with which he delivers them. But if your favourite artist features Rema, just accept that it’s now Rema’s song.
Notable example: There’s a reason his verse on this song is a trending TikTok sound.
Tiwa Savage

The number one African bad gyal, no one comes close. A hitmaker in her own right, it’s only fair she honours your request for a feature by making your song a hit too.
Notable example: Tiwa Savage slid on this one.
Olamide

From sliding on his own songs to claiming ownership over other people’s by simply breathing on the track, Baddo has always been bad.
Notable example: There’s a calmness in how he opened this song that’ll give you chills.
The Cavemen

After they released their 2020 debut album, the brothers were like fuel in every administration since Obasanjo’s. Everyone wanted them on their song, and for good reason too. Have you heard the madness they created?
Notable example: They came in like a thief in the night and SLID.
Tems

After constantly eating on ShowDem Camp features, Tems got on a Wizkid track in 2021, made it hers and birthed the song of the summer. You really couldn’t go harder than that.
Notable example: She delivered vocals and delivered this song out of Wizkid’s hands.
Fave

Fave has hacked catchy verses, and that might just be it. Something about the way she delivers her verses makes it stick like eba to the tip of your fingers.
Notable example: If you say her verse in this doesn’t randomly pop up in your head, then you and Lai Mohammed might be related.
Davido

Hearing “shekpe” on a Davido song feels good, but hearing “shekpe” on another person’s song? You’ll get up with your fist in the air and wait for Davido’s voice to make its appearance with bated breath.
Notable example: Davido left Nigeria and went to Ghana to eat.
Mayorkun

Be honest. When you hear, “This bread no be Agege” on a song, don’t you get a big smile on your face and sit a little straighter because you know Mayorkun is about to come and flog everybody out of their seats?
Notable example: He might be the mayor of Lagos, but he went to Maitama and finished everybody.
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It’s one thing to be a fan of a musician, but being a stan? That’s another thing entirely. Stans are fans who are willing to actually throw hands because of their faves.

Source: Zikoko Memes With stan culture taking over the +234 internet (and real-life) thanks to Wizkid FC, Savage Soldiers, Outsiders, 30 BG and Rebel Gang, we decided to talk to some stans about the most outrageous things they’ve done for their faves.
“My family doesn’t know I have a Wizkid tattoo”
– Kayinsola*, 23
Source: Zikoko Memes I come from a very religious family that doesn’t even allow me or my sisters to have more than one piercing. But during Detty December in 2022, I randomly got a tattoo of Wizkid’s full name, “Ayodeji Balogun”, on my thigh. I don’t wear short skirts or shorts at home, so my parents haven’t seen it yet. I could lie that it’s my boyfriend’s name. At least, maybe they’d think I’m less of a nutjob if the person knows I exist. But they’d also ask to see this boyfriend, and I don’t have one.
I’ve been a Wizkid fan since my first year of secondary school when he dropped Holla At Your Boy. He’s the greatest Nigerian musician of all time. I don’t regret my tattoo, but I wish I’d gotten it after I japa. I know my parents will unalive me if they see it.
“I used ₦1.6m to cover my favourite rapper’s bill in the club”
– Buchi*, 31
Source: Zikoko Memes For someone who isn’t rich, tell me why I cleared the table of one of my favourite musicians in the club. I’m a huge fan of Nigerian rap music from back in the day. I ran into one of my favourite rappers at the club in Enugu one night and was starstruck. He’d come into town to perform at a wedding, so he pulled up with his entourage to chill after. That’s how I told the club owner, my friend, to tell him not to worry, “Bills on me”.
By the time the bill came, omo, I was looking at about ₦1.6m. He came into an Enugu club with Lagos energy. I’ve never paid that type of money for anything. Even for my brother’s wedding, I only contributed ₦1m. Never again.
“I’m only on social media as a stan account”
– David*, 29
Source: Zikoko Memes Tiwa Savage is my favourite musician and the only reason I have social media accounts. I don’t have a social media presence besides the LinkedIn and Facebook accounts I don’t even have access to anymore. But I run a stan account to share Tiwa’s articles, new songs, interviews, etc. Olorun Mi saved my life when I lost my brother, so since then, I’ve been a dedicated Savage Soldier. Everyone has hits, but no one serves vocals like my girl, and for that, I’ll drag anyone who says rubbish on Twitter.
RECOMMENDED: These 10 Tiwa Savage Songs Are Also Gospel Songs, Let’s Explain
“Most of my salary goes to K-Pop merch, and I’m okay with it”
– Hassana*, 25
Source: Zikoko Memes There’s a massive K-Pop community here in Nigeria, and I’m very active in it. I discovered K-pop through a co-worker in 2019 and haven’t looked back since. I stream their albums and performances, but the most outrageous thing I do is buy and ship merch, especially from BLACKPINK. Dollar rates rising or not, I’ll always support my girls.
“I lied at work to go look for Burna Boy at Eko Hotel”
– Sheryl*, 30
Source: Zikoko Memes I was obsessed with Burna Boy during my NYSC. I mean, I still love my boo now, but back then, I was actually obsessed. One day in 2014, I saw him post on his Instagram stories, and I recognised the pool in his background as the one at Eko Hotels. I wasn’t even sure if the post was recent, but see, I told my office HR my mother had collapsed and I needed to rush home. I hopped on a bus and ran to Eko Hotel. I just sat in the lobby for the rest of the day, hoping I’d run into him.
I remember watching that Korty video and laughing because it felt like a personal drag.
“I secured my Beyoncé Renaissance tickets before getting my visa”
-Jesse*, 30
Source: Zikoko Memes My plans in life come second to Beyoncé’s plans for me, and that’s on period. As soon as she dropped the Renaissance tickets, I was in a queue to buy mine online for the UK show — since she’s not coming to Nigeria. It wasn’t until I’d paid for my ticket that I realised I hadn’t renewed my visa. I’ve applied and everything, but what if I don’t get it? I’m focusing on positive thoughts for now.
“I stopped talking to a girl because she said Wizkid was overrated”
– Nti*, 28
Source: Zikoko Memes Imagine trying to get to know someone and they diss your favourite artiste? That’s what happened with a girl I was toasting two years ago. We met at a house party in Lagos, and I liked her vibe. Wizkid’s Come Closer came on shuffle as I was driving her for one of our hangouts, and unprovoked, this babe started insulting Wiz.
Granted, that song is somehow, but to call him overrated and a Wande Coal dupe? That was too much, so I ghosted her after that day. I didn’t need that negative energy around me.
ALSO READ: We Ranked the Best Wizkid Songs of the Decade

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