Another new music Friday, another banger from Rema. The Edo-born artist’s fans have been eating good with the eargasmic singles he’s been putting out lately. His latest release, “Bout U” — and the lyrics that come with it — continue his exploration of a mid-tempo sound post-HEIS, showing a more vulnerable, love-struck Rema.
He’s slowly world-building the new era of his music. The visualiser for the London-produced “Bout U” shares a similar mood board as that of “Is It A Crime,” his first single this year.
As he puts out more music, likely leading to a new studio album, let’s take a closer look at Rema’s “Bout U” lyrics, shall we?
Rema’s “Bout U”Lyrics
[Intro]
Another banger
Yeah, yeah, yeah
Bad gyal mi, mi wan trade unto ya
[Verse 1]
Girl, blazing, girl, ten, girl, A-list
And her waist is figure-eight, she put the work in
Change your life, six-figure, she deserve it
Got girlies around the world but she my favourite
4:30 in the morning, thinking about you
And about your archy, body-ody-ody-ody
Girl makeup always too slick, no caking
E get the way you dey, demeanour angelic
In the first verse, Rema showers compliments on his subject. He dedicates all eight bars in the verse to thirsting over her pleasing body. Putting more focus on the derriere, this verse solidifies that the artist has a preferred spec that’s often hailed across his other songs.
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[Pre-Chorus]
Girl, hold my hand, girl, time is running out (Yeah, time is running)
Time is running out (Yeah, time is running)
Girl, let’s make it count
This love affair got me living in the clouds (Yeah, living in the—)
Living in the clouds
Please, don’t let me down
[Chorus]
(Something about you)
There’s something about you girl, ooh, there’s something about you (There’s something about you)
There’s something about you girl, ooh, there’s something about you (Something about you)
There’s something about you girl, ooh, there’s something about you (There’s something about you)
Something about you girl, ooh, there’s something about you
“Bout U” seems to carry on the narrative of “Is It A Crime,” which carefreely throws advances at a love interest who isn’t as eager: “I no dey for too much whining, dey for too much whining / As e dey be (ooh).”
But instead of the little carefree attitude he displays on “Is It A Crime,” he’s more invested and sees a bigger picture in “Bout U “
[Verse 2]
Mi wan give you love and attention (Ha-ah)
Mi respect this our affiliation (Ha-ah)
Anytime you pass, you got man’s brows raising, eh-eh
Mandem plotting ‘cause they wan take you from me
If we run am on a low, shey, you go vex?
Mi no like to show off for the internet
I take your matter personal from day one to the end
Mi want your loving and caress
Still confessing desires in the second verse, Rema states he’s the only one who genuinely wants her, even though others are constantly trying to get her attention too.
Also, Rema makes a point of keeping their relationship from the public’s radar. Unsure what his subject’s preference is, he states that he’s a private guy. And there’s no doubt about that, if we go by his irregularly operated social accounts.
He takes the rest of this song and uses the pre-chorus and chorus to further show persistence, and how badly he wants her. “Bout U” is simply Rema expressing and emphasising wanting true love and not jinxing it.
[Pre-Chorus]
Girl, hold my hand, girl, time is running out (Yeah, time is running)
Time is running out (Yeah, time is running)
Girl, let’s make it count
This love affair got me living in the clouds (Yeah, living in the—)
Living in the clouds
Please, don’t let me down
[Chorus]
(Something about you)
There’s something about you girl, ooh, there’s something about you (There’s something about you)
There’s something about you girl, ooh, there’s something about you (Something about you)
There’s something about you girl, ooh, there’s something about you (There’s something about you)
Something about you girl, ooh, there’s something about you
Before gaining global recognition, M.anifest — born Kwame Ametepee Tsikata — had already cemented his name in African hip-hop. When The Guardian named him Africa’s foremost rapper in 2015, it felt like the mainstream was finally catching up to what many had long known. By 2016, he released Nowhere Cool, a critically acclaimed concept album that resonated deeply with West African youth, including me, inspiring many to find and amplify their voices — whether conventional or unorthodox.
A decade and three albums later, success may come easier, but M.anifest’s music remains grounded, vintage, and deeply connected to the grassroots. His sound keeps you present, forcing reflection on both self and society. His latest project, NEW ROAD AND GUAVA TREES, released under hip-hop icon Nas’ Mass Appeal Records, is no exception.
At a time when hip-hop’s tides have shifted — where rappers often chase commercial success by recreating pop hits — M.anifest stands firm in his artistry. The 42-year-old is carving his own path, determined to be a powerful alternative voice that brings rich, relatable African narratives to the heart of global rap storytelling.
With this new album, M.anifest tells me he’s in his “world domination” era — something he speaks about with both excitement and conviction.
In our conversation, we dive deep into themes of urgency, creative agency, his inspirations, the evolution of African hip-hop, and what it means to be an alternative voice in the mainstream.
What is the story behind the first track, “TIME CATCH”?
“TIME CATCH” is about seizing the moment. The idea is that time is ever present for us; it’s time to make a thing. For me, who’s been doing what I’ve been doing for a long time, I think I felt that sense of urgency in terms of being on a very steady trajectory and being able to make contributions, but I felt like there’s a maturation.
It’s almost like you’re making Akpeteshie, a method where palm wine ferments, and there’s a maturation process for it to become the hard liquor. That’s where I feel like I am now. I have gained all this experience, musicality and all. It’s time to have a global reach because I have everything it takes.
But yeah, there’s this kind of urgency in which our lives revolve around because the future is being shaped and the way that our countries are mismanaged. Individuals always wake up with that sense of urgency. You’re going against the grain. You might have park problems, transportation problems, and a shortage of red tape bureaucracy. So, I think that’s why it was necessary to begin that with “Fire on this mountain,” even though it’s a personal feeling.
In the same song, after you sing “Fire on the mountain,” you continue with “Flames so exciting.” Why?
“Flames so exciting” because there’s excitement, and I don’t mean that negatively. There’s an excitement that comes with that urgency and you just have to embrace it and find a way.
The second song on the album, “EYE RED,” describes anger and frustration. Are you speaking for the people?
There are two stories behind it. There’s the sonic story of it, which is where it began. One of my producers, MikeMillzOn‘Em, and I were creating the song from scratch, and I asked him to look for a couple of percussion loops. So, he went through his sound bank and mistakenly clicked on something with the horns. I said, “Wait. What the fuck is that? Yo, guy, just mark that.” I wanted it to be innovative, and that’s how it feels, with a different kind of bass and elements that just pronounce the feeling of an anthem for the desperate voices and the desperate feelings to overcome.
My state of mind when we made the song had that urgency. It’s why the song is relatable and feels immediate. It’s a song we can make twenty times over regarding these feelings of anger and frustration. When we make music like this, it must feel like it needs to move people. So, it had to have that pulsating feeling. It’s not supposed to be a dirge or lullaby — it should be something the people can rally behind.
When I make albums, I always say that there’s a song that’s like decorating a place. It’s like interior decoration. If you’re going to decorate a living room, you need a centerpiece, right? It might be a couch, a table, or something that informs how you set up everything. “EYE RED” is the one for this album. Immediately, I made it, I knew where everything else would go.
NEW ROAD AND GUAVA TREES artwork
How do these feelings tie into the entire album and its title NEW ROAD AND GUAVA TREES?
These are the feelings that most of us wake up with when we live on this side [of the world]. People are trying to make a life for themselves in places that seem to be working against them.
The title is personal in terms of an individual memory. When I was younger, I lived in a place called New Road (in Ghana), but it’s metaphorical in terms of trying to take a new road and making a fruitful climb. My house had a guava tree, and I used to climb it quite a lot. It was one of my favourite trees because it was easy to climb and also had fruits. It was just a trigger point regarding the idea of a fruitful climb.
Were you also intentional about the production? It’s avant-garde.
The whole album was put together because I called my guy Budo. He used to be my main producer, but we hadn’t worked together for fourteen years. In that time, he’s done stuff for Doja Cat, Macklemore, and more. And then I’ve done my thing, too. We reconnected when I released my Medina to the Universe album in 2021.
Sometime in the beginning of 2023, I was trying to make a new album. I discussed it with my manager and others, and it felt like the world drew me to Budo. So, I called him and told him that I felt an immense creative energy and I wanted to work on a project and ideas that’d be bigger. Making that connection and getting in sync with the ideas worked for this album and its production. We finished most of the album in three to four weeks in Seattle. We just corrected and refined some things over time.
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This new album art weirdly connects me to your Nowhere Cool album art
There’s a parallel there. It was uncanny. After NEW ROAD AND GUAVA TREES was done, I took a look and realised the kind of continuum it was then. However, we approached this artwork intending to just play into African reality. All our leaders are commissioner generals, and they’re always commissioning things. We felt taking on a character on the cover was important to embody that.
It’s a bit of satire because we’re commissioning a new road on the cover. Regarding the album, I’m taking a new road and doing that with all earnestness.
Does African literature impact the new album like Nowhere Cool?
Not directly. But I remember when I was floating the album title to a few friends of mine, one comment was like, “This feels like a book title,” and I like that. I fed into that idea a bit in terms of just the aesthetic of everything. But I’m a person who’s definitely informed by the pantheon of the Chinua Achebes and the Ama Ata Aidoos. [whose Nowhere Cool novel inspired M.anifest’s Nowhere Cool album.]
Speaking of books, what are you currently reading?
I was supposed to finish The Message by Ta-Nehisi Coates. It’s an easy read. I started, but I got distracted. A friend of mine bought it for me, so I was checking it out. However, I need to get Nnedi Okorafor’s new book, Death of the Author. I’m travelling soon, so I’ll get it. That’s what I’m going to be reading.
Also, I recently realised that my new album and one of my favourite books ever, The Fragrance of Guava (by Gabriel García Márquez), have similar titles.
What impact do you hope NEW ROAD AND GUAVA TREES makes?
I truly believe that the energy in which one creates and how one feels is infectious. I’m currently in a very effortless, intentional, and confident phase. And that energy is going to be contagious in terms of how the music is received. So, this is going to be a more global outlook in terms of reception. I’ll work hard to ensure that happens in terms of marketing, promotion, and other things. Also, Mass Appeal has been super helpful with the album push. That boosts my confidence about it.
The Mass Appeal Records deal for this album is a huge one. Tell me about it
Shout-out to Lanre Masha, the current director at Orchid Music. He put the play together and made the connection between Mass Appeal and myself.
M.anifest and Nas
As a non-conforming artist who isn’t following the mainstream’s rulebook, what would you do differently if you were new on the scene right now?
That’s an excellent question, my brother, and I have such a long answer for you.
I have a theory right now that we’re heading towards a place where the most successful section will be the one that makes the most meaningful music, which will also be jams.
Please, expound
Some of the things that people think we should create for escape, we already have it in us. When you’re going to make a jam, you want to be able to bop. So, nobody’s going to tell you to break a bop. It’s intuitive for us to a certain degree. We don’t even have to force that so much. But this kind of one-way mentality of everybody trying to be in the club, trying to pop champagne or whatever, is rubbish.
Africans have been making jams to escape, but they can still say something. So, I think there has to be a fearlessness that I’d encourage anybody who’s super creative like there has to be a fearlessness. There has to be a “Fuck it” attitude to begin with.
But then, there’s the other aspect that comes after you do it over and over and try to figure out your hacks. Back then, the hacks were like the chorus, the hook. Then, some people came, and they did whatever they wanted to do. In some eras, it was the beats. Now, it’s finding moments of ideas that stick. In this era of TikTok, hooks are not even worth anything much. Sometimes, it’s a different part of a song that catches on.
I’m just saying there are hacks that everybody can find for themselves, and it might take ten years to hack. For some, it might be fifteen. But everybody wants it tomorrow. That’s the problem. Of course, people want to eat. I get that. But there has to be a way of figuring out hacks that are not always immediate. The majority of people are not going to have an overnight blow-up. Most people have a longer, steady trajectory of building a base, and then they can eat.
What will you say African Hip-Hop needs to be a part of the global conversations?
African Hip-Hop, like any other African music, will always need a level of innovation and identity to be seen in the world. Those two things—identity and innovation—together make things seen.
Innovation is the thing that makes people say, “That’s incredible”, or as “What is that?” Identity is part of that innovation. But it’s also something that firstly makes the people who the music is from feel like this belongs to them to a certain degree. And when I say the people, I don’t even mean everybody. It can even be a small niche of people. It could be just skateboarders in Africa. I don’t mind. I think those two things are essential.
If you notice, Hip-Hop is probably the most influential music on Afrobeats, even Amapiano. Many of the guys who make this music used to be rappers, but they found a musical identity with something. In that same fashion, if you’re a Hip-Hop artist from Africa, you should think about the cool and innovative you’re trying to do, the identity of the thing you’re trying to create, and how to craft it without it being contrived. We can’t let innovation be something that only those in other genres do by being inspired by Hip-Hop.
What does it mean to be a hot babe? As we celebrate women all through this month of March, this is one of the questions that we hope to answer.
There’s nothing like the feeling of walking into a room, hair swaying, hips moving, and instantly commanding attention — not just for how you look, but for the confidence and energy you exude — no apologies, no second guesses.
To tap into that energy, I asked fifteen Nigerian women to share the Afrobeats songs by female Nigerian musicians that make them feel like hot babes.
All the songs recommended are featured in our #BumpThis playlist at the end.
“Anytime these songs come on, I feel smarter, like I’m Maradona” — Chidinma
“Cash” by Lady Donli makes me feel like the baddest babe. I get goosebumps from the song’s intro: “Ego nwere oma lusi o’luke, ego nwere…” which translates to “The money I have.” So, imagine dressed up, walking and listening to this song while I have my money in my account and cash in my purse — nobody can stop me. I feel proud and elated whenever I hear that song.
Also, “Maradona” and “Sicker” by Niniola make me feel like a woman who can get any man she wants. Those moments make me feel smarter like I’m Maradona.
“There’s a girly energy in it that I deeply connect to” — Blossom
It’s Tems’ “Wickedest” for me. Whenever it gets to the “Came for the wickedest whine / Me and my girls on the wickedest time” part of the song, I jump up. There’s a girly energy in it that I deeply connect to. I think it’s feminine energy that Tems knows too well, and she embodies it fantastically in this song.
“This song allowed me to be free of the fear of “What if something bad happens?”” — Zia
“Cash” by Lady Donli. It’s pretty self-explanatory, but wallahi, I’m addicted to cash. Money is power, and it makes me feel like a hot babe. Nobody encompasses it like Lady [Donli] in this song. Ayra Starr’s “Cast” allowed me to be free of the fear of “What if something bad happens?” And truly, what is the definition of a hot babe if not someone that doesn’t give a fuck about consequences?
Oh, it’s SGaWD’s “Boytoy.” It’s just a bad bitch song. I followed her on X and was hooked on a teaser of the song she posted. So, I patiently waited until release day. That was the only song I listened to for a week.
Now and again, when I want to remind myself that I’m a big bad bitch or I just want to talk my shit, I listen to it. I know every single word. It’s two minutes of her talking her shit, and I just love it.
“Bloody Samaritan” by Ayra Starr does it for me. It’s bold, confident, and has that “nothing can kill my vibe” energy.
I connect with it because it’s about protecting your peace and not letting negativity get to you. The first time I heard it, it instantly hooked me — the beat, the lyrics, and Ayra’s delivery just scream main-character energy.
What I love most about it is the attitude. It makes me feel untouchable like I’m walking slowly with the wind in my hair. It’s that perfect song to remind myself that I’m that girl and nobody can dim my shine.
“It’s basically about being a baddie and a boss babe who wants only money and jollof rice, not love” — Folu
I’ll say “Shake It To The Max” by MOLIY and “Omo To Sexy” by BLNDE. I found them while trying to create a personal playlist for Nigerian Alté female songs. “Shake It To The Max” has a great vibe, and the lyrics are pretty interesting, too. It’s basically about being a baddie and a boss babe who wants only money and jollof rice. That’s where I am right now. I’m not looking for love, I just want food and money.
“It gives that ‘step into your power’ feeling” — Maryanne
Ayra Starr’s “Rush” makes me feel like a confident and unstoppable babe. The message speaks to me, especially the lyrics: “Me no get time for the hate and the bad energy.” It reminds me to focus on myself and my success.
I first heard it when she released it, and it was everywhere—on the radio, even in the Ubers I was in. However, it hit me when I played it while I dressed for a night out with my friends. It gives you that “step into your power” feeling.
What I love most about it? The beat, the energy, and how Ayra sings it confidently. It’s more than a song—it lifts my mood.
“It evokes an emotion that makes me feel very sexy” — Illy
Seyi Shey’s “Right Now” is hot, and the music video elevates the song. It evokes an emotion that makes me feel very sexy and comfortable in my own skin.
“It’s the perfect song to do my makeup to when I’m heading out” — Steph
It’s SGaWD’s “Boytoy.” I heard it for the first time on Lotanna Don’s Instagram story. She’s friends with SGaWD, so she was trying to get her followers on to her music. It’s a song about female dominance, sexual liberation, and putting nonchalant men in their place. It’s also about knowing when to get lit, when to hustle as a woman, and being the hottest babe in the room.
I like that it’s very daring. The first line says, “Girls like me, you know we like sex.” You just know SGaWD doesn’t care about the stereotypes they place on sexually liberated women. She goes on to give her commandments on being THAT girl. Singing “Boytoy” out loud gives a feeling that everything else is beneath you and you’re the most daring version of yourself in that moment. It’s the perfect song to do my makeup to when heading out.
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“These songs have latent energy that transforms you into your smoothest self” — Anita
It’s “Focus On Me” by Darkoo, and recently “Omo To Sexy” by BLNDE. I discovered both songs on the internet on New Music Friday. The songs are silky and have latent energy that transforms you into your smoothest self — it doesn’t matter where you hear them.
“I generally thought Tiwa was hot, and I felt hot, too” — Chigor
I love Tiwa Savage’s “Love Me X3” and Ayra Starr’s “Woman Commando.” This Tiwa’s song gives me that feeling mainly because of its video. I can’t even remember the first time I heard it. I didn’t even own a phone then. I just remember seeing it on TV anytime I passed the sitting room. I’d stop to stare instead of doing the chores I was probably going to do.
I was much younger then, but I remember watching the video repeatedly and doing the small choreography towards the end. I generally thought Tiwa was hot, and I felt hot, too.
Then Ayra. Ayra is naturally hot, but there’s just something about “Woman Commando.” From the sass in the choreography to the sass in the lyrics and the babes [Coco Jones and Anitta] she put in the song. The lyrics, melody, and everything just get me. I first discovered it last year when she released her album. I listened and instantly loved it. It was in my top 3 at first listen and then my top 2 when she performed it on The Tonight Show.
There’s a Nigerian artist based in the US called Adanna Duru. Her song “POP!” is my anthem. It makes me feel like a baddie. I just want to dance and move my body. It’s also a really sexy song.
“Both songs make me feel like I own the room” — Lola
My choices are Ayra Starr’s “Bad Vibes” and Tems’ “Crazy Tings.” The former has that playful, confident energy that makes me feel like the main character. It’s bold, fun, and effortlessly doesn’t give a hoot about your judgment. Meanwhile, “Crazy Tings” carries that smooth, self-assured vibe that makes me feel untouchable, like I’m gliding through life with an effortless glow.
I love the confidence both women bring. Whether it’s through the lyrics, the beat, or the attitude in the delivery, both songs make me feel like I own the room, like I’m unstoppable, and I must let no man or woman kill my energy because I’m the main character in my life and story.
“The music makes it feel like someone switched on a different atmosphere” — Ngozi
My pick is Fave’s “Baby Riddim.” I’m not big on Nigerian music, but I discovered this song three years ago. I love Fave’s voice! It adds so much depth to the music and makes it feel like someone switched on a different atmosphere. I also like the lyrics. I’m big on lyrics that tell a story that’s easy to follow, and this one does.
“Her song resonates because it affirms women as sensual and sexual beings” — Adeyele
Niniola is that girl who makes me feel like a hot babe every time. Her songs have the right balance of sultry, sexy, and hip. I have no choice but to embrace the baddie I am. Her song, “Too Sweet” does it for me. It’s a self-praise that gives off this “I’m that girl don’t mess with her” vibe I love. Listening to this song adds a little more pep to my step, and gives me that confidence not to let anyone look down on me.
I love how Niniola infuses Yoruba into her songs and hypes herself as a beautiful lady. As a woman, listening to that song resonates because it affirms women as sensual and sexual beings. It encourages confidence, too. The first time I heard Niniola as a teenager, I watched her “Maradona” music video on Soundcity, and the song stuck in my head for days. And I’ve been a fan ever since. I like that her sound is upbeat and bold. She gives this IDGAF attitude in her songs, which I just love. As a hot girl who enjoys life, Niniola is up there for me.
Listen to the playlist here:
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February was a goldmine for Nigerian music, with a range of talented artists dropping bangers that dominated our playlists. From soulful love songs to high-energy street anthems, the month had something for every mood.
Here are the 10 best Nigerian songs of February 2025.
10. “WHY LOVE” – Asake
Amid rumours of his YBNL exit and a fallout with his team, Asake keeps his focus on the music, embracing love on “WHY LOVE.” The track is both a tribute to his lover and a self-assured anthem, as he hails himself as an angel and suggests that any woman with him is lucky. While his self-confidence—rooted in a military mindset of self-sufficiency—might come off as self-centred, he’s at his calmest and best when she’s around.
9. “Ìfémi” – Lodù
In this track, UK-based Nigerian-born singer Lodù is drunk in love. Unlike her previous releases and features, she sings entirely in Yorùbá, calling out to a distant lover to return to her—perhaps one still stuck in Tinubu’s Nigeria, yet to japa and reunite with her.
Her use of rich figurative language, combined with a blend of traditional and alternative production, places “Ìfémi” in the lineage of new-school artists building on the foundation laid by pioneers like Bisola Oke with “Eleyele”.
8. “All The Love” – Ayra Starr
Ayra Starr makes a strong return with “All The Love,” her first single since her record-breaking sophomore album, The Year I Turned 21 (2024). Centred on self-acceptance and personal growth, the song sees her reflecting on love in a way that feels both personal and universal—a letter to herself and the world.
Now a year older, her music evolves with her, blending lamba with sharp songwriting in a way that reaffirms her artistry.
7. “VIBRATION” – Mo’Gunz
Mo’Gunz moves between rap and melody, seamlessly blending both to set moods and create immersive soundscapes. On “VIBRATION,” off his REPUBLIK RIDDIM two-pack, he seeks relief—not through traditional therapy, but through Mary Jane to ease his stress and a woman’s presence to bring warmth.
Beneath the surface, the song reflects his search for self, purpose, and direction. Yet, even in moments of melancholy, he keeps the party going—vibrating through it all.
6. “Update” – Burna Boy
For the first time in a long while, Burna Boy is taking a break from relentless touring and choosing to indulge in a well-earned vacation. “Update,” much like “Bundle By Bundle,” is a bold declaration of his “city boy” lifestyle—splurging on luxury sports cars and rewarding his loyalists with Cybertruck Tesla.
Though he sounds tired on this record, not even Soul II Soul’s “Back to Life” sample could slow him down—he’s living his best life, and this is the update.
As someone whose long-term relationship has blossomed into marriage, Adekunle Gold understands the power of assurance and reassurance. On “Obimo” (Igbo for “my love”), he sets the tone with the opening line, “Loving you is primary,” encapsulating the song’s essence—complete devotion. He sings about wanting what his lover wants, moving in perfect sync with them.
If you can’t imagine eating or doing anything without seeing the love of your life first, AG Baby has the perfect soundtrack for you.
4. “Movie Star” – Ajebo Hustlers
This is a new offering from the Port-Harcourt musical duo Ajebo Hustlers (Knowledge and Piego). “Movie Star,” off their Onorato EP, is a heartfelt reflection on relationship struggles. Whether drawn from personal experiences or pure storytelling, the song carries an emotional weight that resonates deeply.
The chorus chorus promises unwavering presence through every mood and phase, while Knowledge expands on the theme with his signature rap style. Their seamless fusion of Afrobeats, Highlife, and Hip-Hop remains impressive, reinforcing their stance as hardworking, non-compromising artists. As they declared in a recent Instagram post, this era is about demanding respect.
If you’ve been following their journey, “Movie Star”— and the entire Onorato project — stands as a testament to staying true to one’s sound.
3. “SHAOLIN” – Seyi Vibez
Fans have been wondering why Seyi Vibez has been so quiet. Some speculated that his recent split from Dvpper Music put a temporary hold on his releases.
Whether he was watching the tweets, itching to drop new music, or simply ready to break his silence, he’s back with Children of Africa, a four-track EP. The standout track? “SHAOLIN.”
Seyi leans into the dominant Mara street-pop sound flexing about women, smoking Wizkid’s legendary loud, and moving with zero worries. He also subtly addresses concerns about his career post-label breakup—“Everywhere good, everywhere che, che, che, che…” Translation? He’s doing just fine.
If your DJ doesn’t mix this jam before or after “OZEBA,” you might be at the wrong rave. Street-pop supremacy.
2. “Someone Like You” – Lojay
Unrequited love takes centre stage on Lojay’s “Someone Like You.” He sifts through past memories and conversations, retracing where things went wrong. It’s not the heartbreak of something ending unexpectedly—it’s the pain of knowing the person he wants will never come back.
The song feels romantic, but at its core, it’s about love lost. Lojay’s soft, moody vocals and lyricism capture that deep sadness. Unlike his usual playful, smug takes on love, there’s no spinning the block here. This is the first single from his upcoming album, hinting at a shift from the “gangsta romantic” hard-guy lover to something more vulnerable.
1. “Baby (Is it a Crime)” – Rema
After HEIS, many expected Rema to continue riding the heavy EDM wave, but “Baby (Is It A Crime)” takes a different route. If you paid attention to “Now You Know,” the closing track on HEIS, you’d have caught the hint—he’s leaning into a more chilled, mid-tempo solitude.
Sampling Sade Adu’s “Is It A Crime” (1985), Rema moves at a leisurely pace, throwing advances at a love interest who isn’t as eager. But he doesn’t beg—he states his case and, if she wastes his time, he moves on (“I no dey for too much whining”).
This song is an anthem for the average Nigerian toaster—confident, expressive, but not desperate. Rema’s songwriting remains relatable, and as HEIS continues to set clubs on fire, “Baby” slides effortlessly into softer, intimate spaces.
Listen here:
2024 is that drama-filled reality show that is our dear country Nigeria and didn’t need a script. From economic woes to political tension, it’s been a wild ride. But amidst all the Nigerian turmoil and complaints here and there, global pop culture also served as our trusty distraction — a much-needed escape from the chaos.
We’re counting down 15 pop culture moments that stole our attention, sparked joy, and started conversations locally and worldwide. Here are some 2024 pop culture highlights that defined this stressful year.
Films and TV Shows
Shōgun
When Shōgun, a historical TV show, came out, it became viral due to its samurai details and other Japanese culture elements. The show became so popular, viewers made and posted memes weekly in anticipation for new episodes. It ended up bagging Emmy Awards nominations.
Baby Reindeer
The tea is, Baby Reindeer‘s success was largely due to its unflinching honesty and unconventional storytelling approach. Richard Gadd, the mastermind behind the series, bared his soul, drawing heavily from his personal experiences with stalking and abuse. This raw authenticity resonated deeply with audiences, making the show feel more like a mirror reflection of real life than a scripted drama.
Wicked
If you’ve seen recent media coverage of Cynthia Erivo and Arianna Grande, they’re currently on a media tour for a musical film titled Wicked. They co-starred in this film about friendship. It’s an all-round excitement. From its colour and lighting being debated to internet memes, the Glinda/Elphaba fandom, and return to theatre and musical production.
John Boyega and Skepta at AFRIFF 2024
The African International Film Festival held in Lagos had big hitters like international actor John Boyega and international rapper Skepta in attendance at its 2024 edition. Skepta’s short film, Tribal Marks, screened at the event. Boyega had a panel conversation about the challenges new actors face and also hinted he’s working on a new project with Genevieve Nnaji.
Music
Kendrick Lamar vs. Drake
Kendrick Lamar and Drake, two of the biggest rappers in the world finally went at each other after years of sneaking dissing (mostly from Drake) and beef rumours. Their back-and-forth this year gave us nine scathing and earth-scorching diss tracks, four from Drake and five from Kendrick. It’s considered the biggest rap beef ever and Kendrick won, based on public opinion.
“Cowboy Carter”
Last year, Beyoncé released a 27-track country album, paying homage to her Houston and Louisiana roots and showcasing her range as a musician and concept writer. Bey = MOTHER.
The Mavin-UMG deal
In February 2024, an investor and company called TGP exited Nigerian music label and company Mavin Records and sold its majority stake to Universal Music Group (UMG). It was acquired by UMG for nothing less than $125 million in sales price and $150 million to $200 million in valuation. Mavin is still running with Don Jazzy as CEO and Tega Oghenejobo, the newly appointed president and COO. This deal is considered the biggest exit ever in African entertainment.
Big Smoke and Tobacco
Nigerian singer Portable and Nigerian-British rapper and producer Skepta released their song “Tony Montana” in March 2024. The surprising fire song became so huge that it peaked at number one on Apple Music Nigeria and Spotify Music Nigeria charts. The music video also bagged a million views in four days. It remains one of the biggest Nigerian songs of 2024.
Wizkid vs Davido
This year, Afrobeats A-listers Wizkid and Davido went from subtly dissing each other to publicly throwing jabs on social media. The singers resurrected their longtime beef in April after unprovoked clapbacks and rants at his fans and colleagues. Since then, months after months, it’s been a dick swing between them. Wizkid resumed the online beef in October, calling Davido “wack” and “talentless.”
The popular movement of Wives and Girlfriends (WAG) of sports celebrities was revived this year in a solo effort by Tolani Benson, the girlfriend of Arsenal’s Bukayo Saka. She was one of the unforgettable moments of the 2024 Olympics in Paris. Face card >>>>
Celebrities lookalike contests
A Timothée Chamalets lookalike competition drew such a large crowd that the police eventually had to break up. But it didn’t stop at Timothée. Doppelganger contests of Drake and Justin Bieber have happened since then.
Nollywood veterans’ call-to-glory
In March 2024, after an amputation and a long battle with his health, Nigerian comedic actor Mr Ibu passed away at 64. In less than 24 hours, another actor, Quadri Oyebamiji (AKA Sisi Quadri) died too.
In less than four months, we lost another Nigerian actress, singer, broadcaster — Onyeka Onwenu. According to the confirmed news report, the singer-songwriter and actress slumped and died after a performance at a birthday party.
Hawk Tuah
In a street interview that went viral in 2024, Hailey Welch, an interviewee, used the slang “Hawk tuah” to describe spitting on it during oral sex. Hawk Tuah >>> Gawk Gawk 3000.
Demure
A TikToker named Jools Lebron went viral in a TikTok video in 2024 where used the word “demure” to explain what it means to keep it “cutesy”. If “Very demure, very mindful” is not the most used statement in 2024, it’s in the top three.
The incarceration of Mummy of Laygurz
In April 2024, Bobrisky was sentenced to six months in prison after she was found guilty of mutilating the Nigerian currency. The saga provoked outrage from concerned Nigerians due to the unusually fast proceedings of the court and the sentencing.
After Bobrisky got released in August, a rumour that she didn’t spend the whole of her sentence in jail sparked controversy about corruption in the Nigerian prison and justice system. Anyway, Bobrisky came back home to a lot of cheers, money donations and boos from admirers and haters alike.
The Grammys is coming! But forget the foreign names—we’re focusing on our local stars: the Nigerian nominees. Take this quiz to find out which of the nominated Nigerian artists at this year’s Grammy Awards is just like you.
We’re starting 2025 off right with a #BumpThis playlist that’s all about great music and positive energy. From Afrobeats to Alté and Hip-Hop, we’re serving up the best recent Nigerian tracks to bump to.
Think chart-topping hits, underground gems, and everything in between.
“This Year” — Jaywon
Jaywon speaks positivity into his year on this classic song. It’s been twelve years since he put “This Year” out and it’s still a go-to at every end and start of a new year.
“Holy Ghost” — Omah Lay
This song is basically a prayer and there are some prayers on the track you can still make in 2025: “Holy Ghost fire, supernatural, give me confidence.”
“Oloun” — PayBac iBoro featuring Payper Corleone
“Swear to God, I must pop / Get the keys to the drop, Oloun!” is the declaration PayBac makes in the chorus of this track about making it in life. This is the energy to take into the year.
“Organise” — Asake
If you’re trying to lock in this new year and you’re disorganised, it’d likely be hard to get your affairs in order. Asake advises you to organise, AKA plan, and to never form I-Too-Know.
“Better Off” — Deela & Genio Bambino
Deela addresses people who like to take from others without providing value or usefulness in return. She’s focusing her energy on only folks who reciprocate the good energy she gives out. If you respect yourself, you should borrow energy from this jam.
“Energy (Stay Far Way)” — Skepta and Wizkid
It’s a long year and you can’t predict all the bad belle things that might happen to you. Again, protecting your energy is highly essential and you need to hold this song to constantly remind you.
“My Ability” — Lady Donli
You should never reduce yourself or dim your light for anyone. Always kick self-doubt to the curb and shine your genius at what you do best, like Lady Donli sings in the song.
“Stubborn” — Victony and Asake
Stubborn isn’t telling you to be a nuisance or disturb others. The ginger to take away from here is to stand ten-toes on your business and ambitions all the time.
“Mega Money Money” — Tiwa Savage
It’s only one life. Don’t forget to enjoy yourself and live to the fullest this year. Chase money and spend it well on yourself. You deserve it.
“Funmi Lowo” — Aramide featuring Sir Dauda
This year, don’t accept exposure as payment. Make sure that you get paid your worth. If anyone plays with your money, tell them “Bitch, better have my money” like Aramide commands in this song.
Listen here:
First of all, Asake is one of African music’s superstars, and indeed one of the biggest that we’ve ever seen. In three years of his ascent, he has released three albums, though the first two are more critically acclaimed than the third. Nonetheless, he has remained a king of street anthems, making fans dance like nobody’s watching.
With his unique blend of Fuji, Afrobeats, and Street-Pop, Asake has taken the Nigerian music scene by storm. And with a discography full of jams, it’s hard to pick just a few faves. So, I took on the task of diving into Asake’s catalogue, ranking the 10 best of his songs and exploring what makes each one special. From the chart-toppers, fan favourites, and the often-overlooked, I’ve crowned his undeniable bangers.
10.
“Mr. Money”
In August 2020, at the peak of the COVID-19 lockdown, an Amapiano jam hit the streets with the popular catchphrase, “Mr. Money, can I be your only honey?” This Magicsticks-produced song was everywhere, playing in clubs and parties, though Asake remained an obscure artist. It wasn’t until after his signing to YBNL that many realised that this guy had one of the biggest hits of 2020 when he was unknown. Its success birthed the remix with Zlatan Ibile and Peruzzi. This is his humble beginning in the mainstream.
9.
“Omo Ope” featuring Olamide
Asake kept at his Amapiano experiment and even began fusing with Afrobeats and Fuji. By 2022, Asake and his music had gained more clout and traction. He got the attention of Olamide, who featured on “Omo Ope” and eventually signed Asake to his record label, YBNL. That was the dawn of greatness for Asake.
8.
“Mogbe”
Relationship issues had Asake in a chokehold, and he had no choice but to voice out his emotions. He’s only available for love matters, but the problems with his insecure lover have pushed him to vices. Still, he found a strong voice that’s yielding to love, and he can’t let go. He ends the song by stating that his woman is a wonderful one. Indeed, romance over everything.
7.
“Nzaza”
This song, “Nzaza,” is the eighth track on Mr. Money With the Vibes, Asake’s debut album. It’s an Igbo word that means “God, please, hear my prayers.” By extension, he admonishes himself to help his prayers work, after all, even the Bible says there’s no food for the lazy. He also praises himself as an important personality— more or less a declaration or his prayer to fulfil his destiny to be great. His songwriting is as pristine as the heart he opens up in the song to the heavens.
6.
“Terminator”
This song arrested many music listeners straight from its preview on social media. “Terminator” refers to someone who goes back on an agreement or promise. In this case, it’s a babe he planned a link-up with. The song is riddled with sweet-nothings, sex talks and romantic yearnings. He even draws a comparison between his profound, persistent readiness for coitus, like a popular logistics company: “Mo wa gbe e de bi Gokada, I dey deliver steady.”
5.
“Fuji Vibe”
In five minutes and twenty-two seconds, Asake gives an eclectic performance of pure Fuji delivered with the urgency of the current times. He sings of enjoyment and women with hypnotic auras. Interestingly, Asake had this song for a long time, but he updated it with his producer, Magicsticks and additional production from himself and The Compozers. The second half of the song switches into the thunderous and rhythmic sounds of percussion; it sounds like chaos, yet so sweet and safe. He comes fully into his Fuji act here.
4.
“MMS”
Here, Asake, on his third album, Lungu Boy, eased off his Amapiano fusions and worked with another producer, P.Priime. “MMS,” meaning “Mr. Money Song,” is a laid-back and reflective record that suggests that God is omnipresent, nothing happens without God, and all that’s in this life is vanity. Wizkid, in the second verse, expands the theme and plunges into his mom’s demise and his grief. The song feels like a deep cut.
3.
“Lonely at the Top”
This song is on Asake’s second album, Work of Art. Here, Asake has found success. He already had the biggest Nigerian debut album ever out. He has performed at the famous O2 Arena in the UK. He was at a top level he hadn’t been before. Hence, the reason why a great height sometimes is a scary territory, as he sings here.
2.
“Sungba”
Before the “Sungba” remix with Burna Boy, the original song dominated playlists and DJ sets. “Sungba” is a raunchy jam about laying pipe. He remembers his old flings and calls on new players willing to join him in bed. It’s apparent here that this guy has mastered how to make resonating songs that become smash hits.
1.
“Remember”
This song calls back on the love that feels like it may slip away. He recalls all the lovely moments spent together and pleads for a continued, stress-free romance. In this romantic chase, Asake wants his love interest and the listener, by extension, to remember who he is: an undisputed show stopper, an undefeated champ, a committed lover and a big spender on his women. He makes a maverick record of “Remember.” His lyricism, vim and passion are earnest.
In Case You Missed It, We Reviewed Asake’s “Lungu Boy” Album. Read Here.
From the mainstream to the underground scene, 2024 saw a handful of albums that changed the game in Nigerian music. It’s a new year, with a clean slate for the industry, and musicians are already announcing albums and EPs that will drop this year.
See below eight albums that you should look out for in 2025:
TBA* — Tiwa Savage
In case you’re wondering what TBA is, I’m simply saying that the title of Tiwa Savage’s new album, set for release this year, is to be announced. She recently posted on her IG story that the album, her fifth release, will likely be her last one. Its release date is also to be announced. While we wait for the album, stream her latest single, “Mega Money Mega.”
Unkle K — Kizz Daniel
Whether Kizz Daniel is looking to offer big-uncle support to his nieces and nephews or a crash course on enjoyment to the youngins who find him cool, his upcoming album, Unkle K, is giving millennial vibes. No release date yet, but we trust Mr. No Bad Songs to deliver jams for both the young and old. His new single with AG Baby is out.
No Sign of Weakness — Burna Boy
I’m hoping that when Burna Boy is done with all his internet drama, which should’ve faded with 2024, he’ll join us in 2025 and begin a proper, organic rollout for his next album, No Sign of Weakness. There is no release date yet. No confirmation if “Bundle By Bundle” is a single from Burna’s new album, but it’s his latest jam and it gets the club going.
Clarity of Mind — Omah Lay
After finding love among fans of emo music, Omah Lay leaves his Boy Alone era behind and offers Clarity of Mind with his upcoming album. This time, he picks yellow as his album art, something brighter and illuminating, to win over all the happy folks and possibly heal those still lonely and struggling. It’s been eleven months since this song came out. We patiently look forward to his next drop.
I Am the Blueprint — Qing Madi
Thankfully, Qing Madi didn’t rob us of her incredible talents by giving up on music at age 13. Now, she’s 18, and her debut album, dropping on January 31, 2025, is set to make a statement of what she had said about herself and her musical journey: I Am the Blueprint. It isn’t a cap that she’s one of the hottest 18-year-old singers and dancers in Afrobeats at the moment. She has a new single titled “Favorite Pyscho.”
5ive — Davido
On March 14, 2025, Davido will put out his fifth studio album 5ive. It’s a 17-track album, and he has dropped two singles, “Awuke” and “Funds” off it. It’s almost two years since OBO’s last album, Timeless, and I hope the new one, 5ive, is worth it. “Awuke” is one of two singles he put out last year.
Protect Sarz At All Costs — Sarz
Nigerian prolific music producer and DJ, Sarz is back this year with a new project, Protect Sarz At All Costs. From its title alone, it’s giving ambitious. With a daring solo project like Sarz Is Not Your Mate and the beastly EDM-infused production he’s churning out lately, his new album is set to be an experimental and bold rave soundscape. No release date yet, but keep on jamming his new single with Asake.
TBA* — Lojay
Afrobeats lover boy Lojay will also release his first official full-length album in 2025. There is no title or release date yet, but we’ll continue rinsing and repeating his latest singles like “Billion”, “Loveless,” and “Dishonest.”
It’s been a year of some good album releases for Afrobeats, with chart-topping works from the top guns in the mainstream and the burgeoning talents dropping cool party starters. But this doesn’t mean that just any album released this year is worth your time or ears.
As we gradually approach the end of 2024, we’ve dug through the piles of the year’s music releases to find the best albums it has offered.
“HEIS” — Rema
Rema’s second album, “HEIS”, is a hyperfast music packaged for night-long parties and swarming raves. Rema uses the album to pay tribute to his Edo roots. The title translates to “number one”. “HEIS” has been met with criticisms that question Rema’s artistic integrity and unexpected sound disruption. However, it remains one of the most experimental and daring music we’ve heard this year.
“adedamola” — Fireboy DML
Fireboy DML throws his playboy persona out the window and welcomes the lover boy back on “adedamola”, his self-titled latest album. The project pays tribute to his inspirations like Lagbaja and Wande Coal. Also, shout-out to the wicked babe who made him sing his heart out on hell and back.
“The Year I Turned 21” — Ayra Starr
Ayra Starr’s “The Year I Turned 21 (TYIT21)” album is a coming-of-age project. She sings about personal longing and celebrity pressure. It won’t make you feel like a 21-year-old, but you’ll remember your youthful exuberance.
“Stubborn” — Victony
“Stubborn” is Victony’s semi-autobiography album. Perhaps the title refers to a trait he was known for as a kid or his resilience in the face of adversity, like the life-altering car accident he had. From his low moments to accomplishments to love experiences, Victony finds a plethora of messages to deliver on his debut album.
“Morayo” — Wizkid
Prior to “Morayo”, Wizkid sang about finding his purpose on Asake’s MMS. On his latest album, the Afrobeats superstar celebrates his late mother. Maybe that’s his purpose and it’s the biblical and traditional expectation to honour parents. While that may be the premise of “Morayo”, it’s a coat over the sweet songs, most of which are surface-deep. If you’re in search of a state-of-grief, I-can’t-want-to-leave-without-you, tear-jerking music, this isn’t it. But a good-time with sexy and gyrating tunes? A blast is guaranteed.
“Master of Ballads” — Dwin, the Stoic
Heartbreak survivor’s testimonies, finished lover yearnings and different emotional frequencies define Dwin, the Stoic’s sophomore solo album, “Master of Ballads.” Naked and comfortable in its composition and lyricism, the music warmly welcomes the emotional and slowly takes off the hard-guy mask to accommodate open-hearted vulnerability. That is, it’s made for self-love, romance, heartbreak, grief, rebound and all the affairs and fair shares of relationships. Dwin may call himself a stoic, but he knows how to sing about almost all feelings, including yours, too much.
“Dearest Madam Pt. 1” — DOTTi the Deity
Real lovers should assemble here for “Madam Dearest Pt. 1”. The album’s a sequence of melodious yearnings and affectionate lyrics harmonised for the pleasure of hopeless romantics.
“Homeless” — Llona
If you’re looking for emotive music that covers loneliness, rejection and depression, Llona’s “Homeless” is for you. If you feel as described, the album’s the music that knows your story. Its lyricism shines best when it unclads emotions; it leaves the listeners no choice but to face their demons. “Homeless” is realism and escapism at the same time.
“Lungu Boy” — Asake
Asake shifted from Amapiano production and went after other sound experiments on his third album, “Lungu Boy”. He found new pockets to showcase fresh flows and take his music to global space. “Lungu Boy” is not his best work, but it proves he’s not operating in a box.
“Press Play” — Niniola
It’s been a decade since Niniola entered the Nigerian music scene. In terms of her dedication to her sound and its improvement, she remains one of the most consistent artists. Her new album “Press Play”, like her previous works, clearly explores sophisticated debauchery and enjoyment. It wouldn’t be totally wrong to call Niniola a refined version of juju singer Saint Janet.
