• Creatives find strength in collaborations. A wise saying even goes: Don’t go alone if you want to go far. This is, perhaps, the most popular advice the Nigerian creative industry takes for itself. The promise is simple: If you work with those who align with your style and vision, you’ll share synergy, build bridges, expand audiences, and secure more bags.

    Collaboration is as old as time. But it works when the parties put collective effort above individual glory. Everyone needs others to succeed. The eye-catching movement of BNXN comes to mind here. Before he became a multi-million-stream Afrofusion artist, he was a buzzing internet sensation circa 2018. However, he needed a career scale-up from Zlatan, the hottest artist at the time. Spiritual (2019) came out of that process, pushing BNXN’s music to a broader audience. Riding on the clout that collaboration gathered, BNXN put out L’enu, a single which further elevated his career status. 

    L’enu, a self-assurance song, took off, landed a remix with Burna Boy and a befitting TG-Omori-directed music video in April 2020. By 2021, BNXN had started donning collaborations himself. His features with Timaya, Rexxie, Ladipoe, and Wizkid were in the bag. Veteran comedian and music executive producer Basketmouth also grabbed BNXN for a single titled Your Body

    This collaboration built a new relationship with another creative.

    Earlier in 2021, BNXN reconnected with  childhood friend Sore Adebisi. They grew up together as kids in Gbagada, Lagos, but lost touch in their formative years. They didn’t cross paths for many years until one random day in a Lagos shopping mall. It was right there Sore pitched himself to BNXN as a graphic designer and illustrator.

    BNXN promised to give a call, and he did on a  random day to commission Sore to make the official artwork for Basketmouth’s Your Body. BNXN was a satisfied client. Sore became BNXN’s creative director, solidifying their creative partnership. Since then, they’ve collaborated on over six BNXN’s artworks, including his “Sincerely, Benson” album. They went further and created a metaverse and Web3 project called “headsbybnxn” together.

    Their relationship lends credence to the concept of “I rise, we rise”. In a short time, Sore’s work with BNXN started to open him to collaboration deals with other artists and brands. Sore made Kizz Daniel’s “10 Years On Stage” concert design. Popular liquor company Chivas Regal sponsored Sore’s art exhibition. 

    Interestingly, this same brand made BNXN its new Regal, including video director TG Omori. In an appraisal of their deals with Chivas Regal, it’s important to note the drink brand’s intentionality in associating itself with Nigerian top creatives that embrace collaboration.

    TG Omori has also come a long way from Wale Adenuga Productions, equipping his jetpack by the way of PEFTI before he took off. TG’s break into the mainstream came in 2019 with YCee’s My Side music video. The same year, his CV scored ID Cabasa’s Totori, which features Wizkid and Olamide. Since then, TG Omori’s collaborations have moved from Olamide to Diamond Platnumz, Kizz Daniel, Asake and BNXN, for whom he shot his breakout song video (L’enu Remix). TG and BNXN have also collaborated on other videos like Outside and PRAY. The latter, which is their favourite, has over 10 million YouTube views.

    BNXN and TG Omori’s linkup happened naturally. TG received PRAY at a time he could deeply relate to the message and felt the need to tell an authentic and poignant story. BNXN, too, was inspired to make a short film out of the song. From there, they synced, and everything fell into place.

    Fast-forward to 2024, BNXN, Sore and TG Omori are recognised as top collaborative talents. BNXN continues to stretch its collaborative streak. In 2024, he put out “RnB”, a joint album with Ruger, and assisted on UK’s Stefflon Don and Headie One’s new albums. Sore is illustrating some of the hardest artworks in Afrobeats; from Davido to Timaya to Mayorkun, Mayorkun, Taves and Kizz Daniel. TG Omori continues to stun with videos like Asake’s Only Me, Kizz Daniel’s Twe Twe, Fireboy DML’s Everyday, and Young Jonn’s Go Hard. He has become one of the most sought-after music video directors, and his price point attracts $50,000.

    Looking at their creative journeys, they’ve achieved significantly in a short time. However, these successes aren’t just a result of their passions and talents; their openness to collaborations also played a part. Bringing ideas and minds together elevates creativity from ordinary to grand and special. BNXN, TG Omori and Sore can teach us that.

  • On January 12, 2023, Ajuri Ngalale, Tinubu’s Special Adviser on Media and Publicity, announced the appointment of 11 new directors for the Federal Ministry of Art, Culture and the Creative Economy (FMACCE). These are their names and new roles.

    Tola Akerele — Director-General, National Theatre

    Tola Akerele has built successful businesses that have contributed to contemporary African art. She founded Bogobiri House, an Afrocentric and artistic hotel with an art gallery, restaurant and bar. Alongside being the curator at Soto Gallery, Tola also owns an interior design studio called iDesign by Tola Akelere. With a solid resume in arts, culture and creativity, it’s not hard to see why the direction of the national theatre has been entrusted with her.

    Image source: Businessday NG

    Husseini Shaibu — Director-General, National Films and Censors Board

    The new director of the National Films and Censors Board is Husseini Shaibu, the deputy national director of the National Troupe of Nigeria, an editor at The Guardian newspaper and a film critic. He’s also been a member of the jury board of the Africa Movie Academy Awards (AMAA) and the Nigerian Oscar Selection Committee. 

    Image source: Starconnect Media

    Obi Asika — Director-General, National Council for Arts and Culture

    Anyone who’s familiar with the Nigerian music industry must know Obi Asika is a major contributor to the sector. Not only did his Storm Records platform OG Afrobeats artists like Sasha P, Naeto C, Jazzman Olofin and Yung 6ix, becoming one of Nigeria’s biggest labels to date, but Obi’s ten-episode Afrobeats documentary, Journey of the Beats (2022) on Showmax, also visualised the genre’s history and global movement. He served as a Senior Special Assistant to former President Goodluck Jonathan and was once part of the African Advisory Committee of the Smithsonian’s National Museum of African Art in the U.S.

    Image source: TheWill Downtown

    Aisha Adamu Augie — Director-General, Centre for Black and African Arts and Culture

    Aisha Adamu Augie is an Abuja-based award-winning photographer, filmmaker and mixed media artist. She won the Sisterhood Award for Photographer of the Year and the British Council’s “Through My Eyes” competition in 2014. The same year, Aisha hosted “Alternative Evil”, her first solo photography exhibition. When she’s not hosting the podcast, “I Love Your Work with Aisha Augie”, she’s performing governmental roles. She was a Special Adviser to Zainab Shamsuna Ahmed, the former Minister of Finance, Budget and National Planning, from 2019 to 2023. 

    Instagram: @aishaak49

    Ekpolador-Ebi Koinyan — Chief Conservator, National War Museum

    The National War Museum is the only museum that showcases military history in West Africa, and Ekpolador-Ebi Koinyan is its new chief conservator. Before his appointment, he headed the Bayelsa State Government’s e-Governance Project, and he’s a senior partner at Smart Alliance Consulting, examining the operations of professional service firms in emerging markets.

    X.com: @ekpolador_ebi

    Ahmed Sodangi — Director-General, National Gallery of Art

    Ahmed Sodangi is an experienced expert in the import and export industry, and a project officer at the Bank of Industry Ltd. Although he’s an unfamiliar name, we’re investing a little faith in this president’s appointee.

    Image source: LinkedIn

    Chaliya Shagaya — Director-General, National Institute of Archeology and Museum Studies

    Chaliya Shagaya is an entrepreneur, fashion consultant and ex-mode who’s consulted for respected designers like Deola Sagoe and Korto Momolu. Ms Shayaga served as the former head of new media at Nigerian Maritime Administration and Safety Agency (NIMASA) and head of government relations at the Nigerian Exchange Ltd. (NGX). We look forward to her contribution to preserving our artefacts and museums — and possibly, giving us our Afrobeats Museum?

    Image source: THISDAYLIVE

    Khaltume Bulama Gana — Artistic Director, National Troupe of Nigeria

    Kaltume Bulama Gana is the curator of the National Gallery of Art, an artist who’s showcased her work at more than 45 group and solo exhibitions. She was an assistant director in the History and Culture Bureau in 1987, and before that, she was a TV presenter at Kano State Television from 1985 to 1986. She runs Herwa Heart of Art Initiative, an NGO focused on educating children, including young girls and women affected by Boko Haram’s insurgency. We hope she excels in her new role.

    Image source: OpenBU

    Biodun Ajiboye — Director-General, National Institute for Cultural Orientation

    Biodun Ajiboye has worked in media, publicity and campaigns for the All Progressive Congress (APC) political party and in the Nigerian telecommunication industry. He owned the now defunct Nigerian Telecoms News and the Nigerian Telecoms Awards. 

    Image source: The Guardian Nigeria

    Ali Nuhu — Managing Director, Nigerian Film Corporation

    Ali Nuhu is among the most decorated actors in the Hausa film industry. With over 22 years in the film industry, he’s not a new face to lovers of Kannywood and Nollywood. If you want a problem solved, call on those with firsthand experience in it. We guess that’s what President Tinubu did with this appointment. 

    Image source: Daily Trust

    Ramatu Abonbo Mohammed — Director-General, National Commission for Museums and Monuments

    Ramatu Mohammed Abonbo was Niger State’s former commissioner of commerce, industry and investment. Before her involvement in politics, Ramatu was Chief Marketing Executive at MicroAccess Ltd., a pioneer information and communication firm through which Nigeria’s first national website and the National Hospital’s first website were built. She was also the director of Hamble Group, London. Although her CV isn’t related, we look forward to see how her past successes in executive leadership transfers to her new role.

    Facebook: Haj. Rahmatu Mohammed Yar’adua

    UP NEXT: Dear Minister, Nigeria Already Has Theme Songs to Choose From

  • Creative/kriːˈeɪtɪv/adjective.

    1. relating to or involving the use of the imagination or original ideas to create something.

    nounINFORMAL

    1. a person whose job involves creative work.

    Creative is a broad term that covers a wide variety of things. Basically, anyone who brings an original idea to live, regardless of medium, qualifies as a creative.

    I gathered a bunch of people who qualify under this category and they shared the hardest part of their process with me.

    Kay/Writer.

    “The term creative doesn’t always sit well with me…I am not sure why. I think the hardest part is getting through those moments where the work swings from being fun to being hard. And it’s a very fickle thing…constantly moving. I can start out writing a piece and it’s really flowing and something takes away my attention and I lose that flow. It’s hard getting back to it.

    Two things: it’s either I continue and trudge on till the end, or I go away and close my laptop. But if it’s something that has to do with a deadline, we die there. If it’s not something that has a deadline, I wait for the flow to come back -That could take weeks or months.”

    Isokorevieno/Artist.

    “For me, it’s improving and using social media at the same time. I’m particular about growth in my work. Almost obsessed with it. I am in the process of learning that I can’t constantly create shareable works for social media. So, sometimes I go off, and I notice a drop in followers. I can’t pretend that it doesn’t get to me. So, there’s the battle of whether to create “content” for social media and grow my following or focus on my personal growth, which I believe is more important for the industry I want to get into. Long term, I guess the two will eventually intertwine.”

    RhymeMarvel/Rapper.

    “Damn. Honestly, it’s just the constant self-doubt…you know how good your art is but you don’t know if you’ll ever get the recognition and by extension, the royalties you deserve. Music is just saturated. Some people with less talent do well so it’s somehow.

    But we keep the faith and keep working sha. I am making music for me first because the creative zone is heaven on earth. We’ll see when I package a project and put it out there if I get my validation.”

    Daltimore/Fashion designer.

    “Omo, the hardest part is not having funds to create the idea as much as I would like to. Also, not being able to market what I create because I am not a popular name yet. I think another hard part for me is the business of it.

    I hate business and marketing.

    I just want to create and not worry about profit.”

    Pelumi/Photographer.

    “I think the hardest part has to be getting my work out there. Reaching a wide audience. So, I am trying all form of social media and hoping for a break.”

    Boyin/ Resident scammer.

    “The hardest part is actually doing the work. I’ll procrastinate 7 million times before I actually start doing what I need to do. When I have work to do is when Twitter becomes interesting. Then this book I haven’t read in 17 years becomes a must-read. Doing that work is my own issue.”

    Uzor/Conceptual Photographer.

    I swear the creative journey is like a prison. I work on images for weeks in my head with so many doubts. I feel like a prisoner inside my own body.

    For me and my work, the hardest part will be worries of execution. That a piece may not fit the pre-conceived vision in my head. In a nutshell, what I shoot on ground may not match what I imagined.”

    Kunmi/Blogger.

    “I don’t know if I feel like I’m a ‘creative’. Lately, with writing, it has been more of finding a balance with sharing but also keeping certain things to myself. And not being a fraud.

    With blogging it feels like you are sharing the happenings in your life with people that didn’t ask you. Sometimes, I wonder if I might overshare.

    Then the fraud part is me actually doing the things I write and read about. Not just posting it.”

    Daniel/ Content god.

    “Finding inspiration is the hardest part. When I get an idea, I’m able to run with it pretty quickly. But getting that idea can be a real hassle. Especially when I’m feeling burnt out.”

    Fu’ad/30+ gang.

    “Work-life balance is a lie. Creativity is largely an interpretation of how we process, understand, and share our world with people.

    What that means is that, when the core of your existence in the labour force revolves around your creativity, you’re always working because you’re always interacting with the world and saying, oh shit, that’d look nice in a sentence. Oh shit, I should take a photo. Oh wow, I wonder what it’d look like if I made the thing you just said into an interactive website.

    A stock trader goes home on Friday and comes back on Monday. A creative goes home to look for their muse.”