Justin UG was asleep when the texts came in. He’d gone to bed on one of those days where it felt like nothing was clicking. Just that particular flavour of restlessness that lives in the space between where you are and where you’re supposed to be. Then he woke up to two texts. One was from Blessing Uzzi, a producer whose credits speak for themselves. The other was from Dammy Twitch, a director he’d long admired. He didn’t know yet that they were working on the same thing. He just knew that something was happening.

The message from Dammy Twitch read, “Are you ready for your first feature?” If you know Justin UG from his skits, this moment might surprise you. But it really shouldn’t. Those skits made rounds in secondary school group chats and still live rent-free in people’s heads, but they were never the whole story. We sat with him to talk about Call of My Life, Nollywood legends and love.

You started out making skits. When did you know you wanted to be in actual films?

I think this was during the time of skits like Craze Clown, when everybody was just starting out. Even then, people doing that weren’t necessarily thinking, oh my God, I want to act. It was just a new thing everybody really liked. But then I ended up getting a job as a photo and video journalist for a company. They’re now called Legit TV. That’s where I learnt how to use Premiere Pro, a video editing software.

I liked the process of editing, I also liked the process of shooting, but I liked being in front of the camera more. This was in 2016, and I was like, I think I genuinely want to act. So when I got to the U.S., I decided that everything I do onwards will be to lead me to that position.

How did the events of you starring in Call of My Life come to be? Can you share the story?

I love telling people this story because I think it was, first of all, God. I had just released a short video on grief. The only reason I released it was because I wanted to show people that, behind all these skits, I take acting very seriously. That was me showing a different side of myself. A week after I posted the video, I started feeling very weird. Like nothing was really clicking. I went to sleep and woke up the next day to two messages. One was from a well-known producer.

The other was from Dammy Twitch, who was the director. I saw the preview of Dammy Twitch’s message, and he said, “Are you ready for your first feature?” I’m like, bro, what is going on? I’m also receiving a message from one of my favourite directors at the same time? Eventually, Dammy told me Blessing Uzzi was going to reach out. I did the audition, and I got the role. That was my first time ever doing a formal audition. She could tell that I was scared, but she was kind enough to guide me and made sure that I really understood what I was getting into.

What was it about the character of Ezekiel that made you say yes?

The first thing was the story. I have always told myself that if I was ever going to do my first role, the story had to make sense. I don’t want people watching it to think, “What is going on here?” So the story being genuinely interesting was big for me. And then when they told me my character, I was like, okay. It was a very, very important supporting role. It’s one of those roles where when it’s your time to shine, you better shine. I was very grateful for that, honestly.

Comedy skits and feature films are different veins in entertainment. What surprised you the most about the process of making a full film?

Seeing every single moving part come together to make something successful. I realised there are so many things involved in making a movie, so many people involved. This project would literally fail if just one of those pieces goes missing.

Also experiencing how everybody comes together to make something work by every means possible. Even when there’s no light and Nigeria is happening. Everybody is still very much active and trying to make sure the project is successful. With skits, it’s just me and my camera. With movies, you need proper planning. The amount of planning that goes into making a film genuinely surprised me.

What was the most fun scene you shot, and what was the hardest part of it for you?

I enjoyed shooting every single scene, I really did. But there was a scene with Beverly Osu where we both had to share the screen for the first time, just the two of us, nobody else. And I was nervous because Beverly is somebody.

You know her from Wedding Party; she’s been on TV. I’m supposed to be in a scene alone with this person. But we actually did it, and I really, really loved that scene. When the movie is out, you’ll know exactly which scene I’m talking about.

You’re sharing the screen with Nkem Owoh and Patience Ozokwor. What’s that like as a younger actor?

Who would have thought that for my first-ever feature film, I would be with legends? You cannot talk about Nollywood without mentioning these people. I’m just genuinely grateful and fulfilled to even be in the same project as them. It’s crazy. I’m speechless. They didn’t even tell me until the first day on set. They said, “Oh yeah, Nkem Owoh and Patience Ozokwor are in this”. I said, “What?” It was amazing.

Broda Shaggi is also in the film. Was it beneficial to have someone from the same background as you?

Not necessarily, because I didn’t know Broda Shaggi was in it until the day before we were supposed to shoot our scene together. He played the role of our boss in the movie. Before then, I was asking who our boss was, and they said, Broda Shaggi. I said that’s crazy. That was actually my first time meeting him. It was a really great time.

But I wouldn’t say it was beneficial. It was just really nice to see familiar faces. Even if someone has done just one movie, I’m excited to work with them. So it wasn’t about the skit background; it was about being around people who have done what I want to do.

For someone doing their first feature, the director matters a lot. What made Dammy Twitch the right director for this?

A bad director could literally spoil a good script. I’ve known Dammy Twitch for a long time, and we’re kind of friends. So when I got to Nigeria and went to his office, I told him straight, Dammy, it’s my first feature. I’m not about to flop on this movie. I don’t want a situation where you tell me this is good, we can manage, because I don’t want to be managed. Tell me when something isn’t right.

The way he communicates is amazing. After he’s watched a take, you’ll just see him walk toward you, and you already know he’s about to tell you something important. He’d pull you to the side and say, okay, I think you could do this better, show me more. And then there’s the Shakespeare moment from the trailer.

That wasn’t in the script. Dammy called me to the side after a scene and said, “Show me something.” We shot it. Immediately after, he said that was exactly what he needed. He’s such a good director.

Call of My Life seems to be a story about healing from heartbreak and finding love again. Is that personal to you?

One thousand percent. It’s a very relatable story and it’s also very personal. Lowkey, let me not cast everybody, but yes. It’s personal. We were all talking about our love lives at some point on set and it was so beautiful. It’s a story that everybody would be able to relate to.

Do you believe in the kind of love this film is selling?

I’m a lover boy, so yes. I believe it’s very possible. It starts off with a love where you’re giving more than you’re receiving. Then it transpires into this whole new phase where you’re doubting a new thing because of what you’ve experienced from your old thing. Just because the emotions are new and pure.

But when you eventually let it blossom, it’s just beautiful. It’s a totally different experience. It’s not just one type of love shown throughout, there are different stages. And I believe all of that is possible in real life. How it happened exactly, maybe not. But the feelings? Very possible.

Looking at where you started and where you are now, where do you see acting taking you?

First, I want people to see this project, because I think it would sink into people’s heads that, okay, this guy is really serious. That’s something I really tried with every scene I was in. After that, I’m going to start doing more auditions and taking acting classes, just to see what’s next.

I’m very open to working with different producers, as far as the story is great and makes sense. But I’m not in a rush to get into just anything. What’s for me will be for me and what’s not, I shouldn’t stress myself about it. I’m just going to keep auditioning, keep learning, and see how God leads.

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